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Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones
Benton Fine Art
for sale €7,839     $8,509
£6,700
Benton Fine Art

Benton Fine Art

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Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

19th century
For Sale by Benton Fine Art
Description

Charles Jones

British, (1836-1892)

Highland Cattle & Sheep in Winter

Oil on canvas, signed with monogram & dated (18)65, further inscribed verso

Image size: 23.5 inches x 35.5 inches

Size including frame: 30.5 inches x 42.5 inches

A wonderful winter landscape animal painting of Highland Cattle and sheep in the snow by Charles ‘Sheep’ Jones. A small herd of Highland cattle can be seen standing on a snow covered hill next to a rocky outcrop. Nearby, two sheep can be seen resting as another looks out across the Highlands. As the animals take their ease, some of them appear to have stopped to look out at the viewer, their breath visible in the wintry air.

Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.

By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones.

As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson & Co in 1880. Around 1890, he was awarded a gold medal at the Chrystal Palace Exhibition. He died on 17 July, 1892 and was buried at Nunhead Cemetery, Southwark, London.

Examples of his paintings can be found at the Atkinson Art Gallery, Doncaster Museum, King’s Lyn Museum, National Museum of Wales, New Art Gallery Walsall, Royal Cornwall Museum, Russell-Cotes Museum and the Wolverhampton Art Gallery.

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
77.5cm (30.51")
Width
108cm (42.52")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Highland Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Reference
SA1141836
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Charles Jones

British, (1836-1892)

Highland Cattle & Sheep in Winter

Oil on canvas, signed with monogram & dated (18)65, further inscribed verso

Image size: 23.5 inches x 35.5 inches

Size including frame: 30.5 inches x 42.5 inches

A wonderful winter landscape animal painting of Highland Cattle and sheep in the snow by Charles ‘Sheep’ Jones.
Benton Fine Art

A small herd of Highland cattle can be seen standing on a snow covered hill next to a rocky outcrop. Nearby, two sheep can be seen resting as another looks out across the Highlands. As the animals take their ease, some of them appear to have stopped to look out at the viewer, their breath visible in the wintry air.

fig 1. An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
fig 1. Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours.

fig 2. An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
fig 2. Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones.

fig 3. An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
fig 3. Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas Richardson & Co in 1880. Around 1890, he was awarded a gold medal at the Chrystal Palace Exhibition. He died on 17 July, 1892 and was buried at Nunhead Cemetery, Southwark, London.

fig 4. An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
fig 4. Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

Examples of his paintings can be found at the Atkinson Art Gallery, Doncaster Museum, King’s Lyn Museum, National Museum of Wales, New Art Gallery Walsall, Royal Cornwall Museum, Russell-Cotes Museum and the Wolverhampton Art Gallery.

fig 5. An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
fig 5. Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

Presentation: The work is housed in a new, English made gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
77.5cm (30.51")
Width
108cm (42.52")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Highland Cattle Oil Painting to the 1860s.

Reference Numbers
Sellingantiques Ref
SA1141836
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
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Archive I An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.

Scottish Winter Landscape Oil Painting of Highland Cattle & Sheep in the Snow by Charles Jones

Archive II An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View II
Archive III An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View III
Archive IV An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View IV
Archive V An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View V
Archive VI An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View VI
Archive VII An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View VII
Archive VIII An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View VIII
Archive IX An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View IX
Archive X An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View X
Archive XI An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame. View XI
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Benton Fine Art
Benton Fine Art
Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
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For Sale
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An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
Scottish winter landscape oil painting of Highland cattle & sheep in the snow by Charles Jones
Ref: SA1141836
An oil painting depicting Highland cattle and sheep gathered on a snow-covered hillside framed in a gold leaf moulded frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Paintings from this era often depict rural agriculture, romanticised natural terrain, and livestock with naturalistic detail and dramatic atmospheric weather conditions.

Artists typically applied oil pigments onto stretched flax or cotton canvas, housed within moulded wood frames finished with gold leaf or plaster embellishments.

Authentic pieces exhibit uniform age-appropriate craquelure across the paint surface, natural darkening of the canvas weave on the reverse, and period-correct framing construction.

Position the artwork as a focal point above a mantelpiece or sideboard, pairing it with dark timber furniture, neutral walls, and brass accents to complement the frame.

Keep the canvas away from direct sunlight, high humidity, and heat sources, dusting the surface gently with a clean, dry, soft-bristle brush rather than liquid cleaners.
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