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Stunning 19th Century Bleached Console Table
Sussex Antiques and Interiors
for sale €1,404     $1,524
£1,200
Sussex Antiques and Interiors

Sussex Antiques and Interiors

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Stunning 19th Century Bleached Console Table

19th century
Description

Stunning console table by Marsh Jones Cribb & Co an important furniture maker in the 19th Century (see below). Made from walnut and stunning quality. In excellent overall condition for the home. We have bleached it for a lighter decorative look. Length 183 cm

Depth 75 cm

Height 77.5 cm

Marsh, Jones & Cribb West Bar, Boar Lane and Basinghall Street, Leeds, Yorkshire; cabinet makers and upholsterers &. (fl. 1864-1936). John Marsh and Edward Jones bought John Kendell’s business at 10 West Bar in 1864 but did not acquire the Boar Lane premises until 1869. Kendell also had a London branch in Cavendish Square. Henry Humphries Cribb, who had a furnishing business in Soho Square, London, sent his son to Marsh & Jones in Leeds to serve his apprenticeship. This son became a partner in the firm by 1872 and subsequently listed in directories as Marsh, Jones and Cribb. Exhibitions included:- Yorkshire Exhibition of Arts and Manufactures (1875) Exposition Universelle in Paris (1878): Talbert-designed carved oak sideboard with marquetry and carved panels (illus. Meyer, (2006) p. 258); mantlepieces and panelling. They were awarded a bronze medal for cheap & fancy furniture in Class 17 Yorkshire Exhibition (1879) Yorkshire Fine Art Society, Leeds (1881): sequoia bedroom furniture. Industrial & Fine Art Exhibition, Bradford Technical School (1882): a suite of sycamore & gold furniture in the Ante Room of the Council Chamber, used as a boudoir for the Princess of Wales, and a rosewood suite in the Council Chamber, used as a reception room by the Princess. On the first floor gallery Marsh Jones & Cribb exhibited a dining room interior in Sheraton style. For their exhibits the firm was awarded a gold medal in Class III [The Furniture Gazette, 22 July & 23 December 1882]. Huddersfield Technical School Exhibition, 1883: sideboard, drawing room chairs and whatnots, and a bedroom suite in light wood Arts and Crafts Exhibition (1890): Lethaby-designed furniture described by Ernest Gimson to Ernest Barnsley as ‘wonderful furniture of a commonplace kind’; including walnut cabinet inlaid, executed by A. Bowen and Thomas Word, inlay by E. Hooke (cat. no. 316); rosewood china stand, executed by Thomas Word (cat. no. 317); rosewood occasional table, executed by …… (cat. no. 322) and inlaid walnut coffer and bench, executed by A. Beaumont, inlay by E. Hooke (cat. no. 417). By 1888 the firm had showrooms in Boar Lane and a factory in nearby Basinghall Street equipped steam-driven machinery. From Kendell the firm inherited the practise of labelling their furniture with the firm’s name, job number and workman’s name. Their best known commission was for the industrialist Titus Salt, pioneer of the model industrial town of Saltaire. Most of the furniture was supplied in readiness for his marriage in March 1865 and was installed at Baildon Lodge, Baildon. The designer was Charles Bevan. Some of the furniture survives in the collection of Leeds Museums at Lotherton Hall, Yorkshire. The bills are extensively transcribed in Boynton, Furniture History (1967) and some of the furniture is also illustrated (pls 16-24). Another large commission was for Titus Salt jnr., for his house at Milner Field (1866). The relationship with Bevan was an enduring one. Marsh & Jones were the makers of the new reclining chair registered by Bevan. This chair and an oak davenport inlaid with various other woods, also by Bevan, are illustrated in Gere & Whiteway (1993), p. 113. However, by 1867 Bevan was no longer associated with the firm and worked with other designers; the Jacobean dining room furniture illustrated in Bruce Talbert’s Examples of Ancient and Modern Furniture (1876) was made by Marsh, Jones and Cribb. To designs of W. R. Lethaby in the 1880s and 1890s, they made inlaid rosewood furniture; and for Heathcote, Ilkley, they made furniture designed by Edwin Lutyens, c. 1906. O

Physical Dimensions
Height
77.5cm (30.51")
Width
183cm (72.05")
Depth
75cm (29.53")
Declaration

Sussex Antiques and Interiors has dated this Bleached Oak Console Table to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1138927
Dealers Notes

Delivery in England and Wales is usually £65 to £120 depending on size of the item, the far north and Southern Scotland a little more, elsewhere please enquire, for large items slightly more may apply also very good rates to Ireland or worldwide. Please feel free to contact us to discuss this item either by email or phone.

Description
Stunning console table by Marsh Jones Cribb & Co an important furniture maker in the 19th Century (see below). Made from walnut and stunning quality. In excellent overall condition for the home. We have bleached it for a lighter decorative look. Length 183 cm
fig 1. A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base.
fig 1. Stunning 19th Century Bleached Console Table

Depth 75 cm

Height 77.5 cm

Marsh, Jones & Cribb West Bar, Boar Lane and Basinghall Street, Leeds, Yorkshire; cabinet makers and upholsterers &.
Sussex Antiques and Interiors

(fl. 1864-1936). John Marsh and Edward Jones bought John Kendell’s business at 10 West Bar in 1864 but did not acquire the Boar Lane premises until 1869. Kendell also had a London branch in Cavendish Square. Henry Humphries Cribb, who had a furnishing business in Soho Square, London, sent his son to Marsh & Jones in Leeds to serve his apprenticeship. This son became a partner in the firm by 1872 and subsequently listed in directories as Marsh, Jones and Cribb. Exhibitions included:- Yorkshire Exhibition of Arts and Manufactures (1875) Exposition Universelle in Paris (1878): Talbert-designed carved oak sideboard with marquetry and carved panels (illus. Meyer, (2006) p. 258); mantlepieces and panelling. They were awarded a bronze medal for cheap & fancy furniture in Class 17 Yorkshire Exhibition (1879) Yorkshire Fine Art Society, Leeds (1881): sequoia bedroom furniture. Industrial & Fine Art Exhibition, Bradford Technical School (1882): a suite of sycamore & gold furniture in the Ante Room of the Council Chamber, used as a boudoir for the Princess of Wales, and a rosewood suite in the Council Chamber, used as a reception room by the Princess. On the first floor gallery Marsh Jones & Cribb exhibited a dining room interior in Sheraton style. For their exhibits the firm was awarded a gold medal in Class III [The Furniture Gazette, 22 July & 23 December 1882]. Huddersfield Technical School Exhibition, 1883: sideboard, drawing room chairs and whatnots, and a bedroom suite in light wood Arts and Crafts Exhibition (1890): Lethaby-designed furniture described by Ernest Gimson to Ernest Barnsley as ‘wonderful furniture of a commonplace kind’; including walnut cabinet inlaid, executed by A. Bowen and Thomas Word, inlay by E. Hooke (cat. no. 316); rosewood china stand, executed by Thomas Word (cat. no. 317); rosewood occasional table, executed by …… (cat. no. 322) and inlaid walnut coffer and bench, executed by A. Beaumont, inlay by E. Hooke (cat. no. 417). By 1888 the firm had showrooms in Boar Lane and a factory in nearby Basinghall Street equipped steam-driven machinery. From Kendell the firm inherited the practise of labelling their furniture with the firm’s name, job number and workman’s name. Their best known commission was for the industrialist Titus Salt, pioneer of the model industrial town of Saltaire. Most of the furniture was supplied in readiness for his marriage in March 1865 and was installed at Baildon Lodge, Baildon. The designer was Charles Bevan. Some of the furniture survives in the collection of Leeds Museums at Lotherton Hall, Yorkshire. The bills are extensively transcribed in Boynton, Furniture History (1967) and some of the furniture is also illustrated (pls 16-24). Another large commission was for Titus Salt jnr., for his house at Milner Field (1866). The relationship with Bevan was an enduring one. Marsh & Jones were the makers of the new reclining chair registered by Bevan. This chair and an oak davenport inlaid with various other woods, also by Bevan, are illustrated in Gere & Whiteway (1993), p. 113. However, by 1867 Bevan was no longer associated with the firm and worked with other designers; the Jacobean dining room furniture illustrated in Bruce Talbert’s Examples of Ancient and Modern Furniture (1876) was made by Marsh, Jones and Cribb. To designs of W. R. Lethaby in the 1880s and 1890s, they made inlaid rosewood furniture; and for Heathcote, Ilkley, they made furniture designed by Edwin Lutyens, c. 1906. O

Height
77.5cm (30.51")
Width
183cm (72.05")
Depth
75cm (29.53")
Date of Manufacture

Sussex Antiques and Interiors has dated this Bleached Oak Console Table to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1138927
Sussex Antiques and Interiors
Sussex Antiques and Interiors
Sellingantiques verified Since Sep 2015

3rd generation antique dealers offering nice quality pieces in excellent condition ready for the home

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You can view the stock and full dealer information on the Sussex Antiques and Interiors Profile Page

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A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base.
1 / 21
Archive I A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base.

Stunning 19th Century Bleached Console Table

Archive II A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View II
Archive III A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View III
Archive IV A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View IV
Archive V A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View V
Archive VI A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View VI
Archive VII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View VII
Archive VIII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View VIII
Archive IX A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View IX
Archive X A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View X
Archive XI A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XI
Archive XII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XII
Archive XIII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XIII
Archive XIV A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XIV
Archive XV A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XV
Archive XVI A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XVI
Archive XVII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XVII
Archive XVIII A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XVIII
Archive XIX A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XIX
Archive XX A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XX
Archive XXI A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base. View XXI
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Location
East Sussex
United Kingdom
Dealer Profile Page sellingantiques.co.uk/sussex
Verified Since Sep 2015
Items For Sale 125
Items Sold 2,061
Sussex Antiques and Interiors
Sussex Antiques and Interiors
Verified Since Sep 2015
View Dealer Info
Location: East Sussex, United Kingdom
Verified
Sep 2015
For Sale
125
Sold
2,061
A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base.
Stunning 19th Century Bleached Console Table
Ref: SA1138927
A nineteenth-century bleached oak console table featuring carved trim moulding under the frieze, six turned baluster legs, and a sturdy low stretcher base.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A nineteenth-century bleached oak console table is a wall-oriented side table crafted during the 1800s, characterized by sturdy proportions, turned baluster supports, and a stripped or lightened finish that highlights the natural grain of the wood.

These tables were typically constructed from solid hardwoods such as oak, employing traditional joinery methods including mortise and tenon joints, pegged construction, and hand-carved decorative trim along the apron or frieze.

Authentic period pieces exhibit signs of genuine age, such as slight shrinkage in wood panels, irregular hand-carved details, historical tool marks beneath the surface, and original joinery rather than modern fasteners or uniform machine cuts.

A bleached timber console table offers a textured neutral tone that bridges classic and modern aesthetics, making it ideal for entryways, behind a sofa, or along a focal wall, topped with minimalist ceramics or contemporary artwork.

Maintain the surface by dusting regularly with a soft, dry lint-free cloth, avoiding harsh liquid cleaners or excessive moisture, and applying a matte natural beeswax sparingly to protect the timber without adding unwanted gloss.
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