An excellent mid 19th Century French Animalier bronze study of a game bird proudly holding its catch of the day with very fine intricate hand chased surface detail and very fine rich brown lightly rubbed to golden brown patination, signed J Moigniez.ADDITIONAL INFORMATIONHeight: 42 cmWidth: 58 cmDepth: 24 cmCondition: Excellent Original ConditionCirca: 1870Materials: BronzeBook reference: Bronzes of 19th Century by Pierre KjellbergPage no. 496SKU: 9352ABOUTJules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez�s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn�t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comol�ra (a student of Fran�ois Rude) in Paris. It is quite likely that Moigniez�s attraction to bird sculpture was a direct result of his education under Comol�ra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855�92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes�usually cast using the lost wax method�were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. M�ne and Antoine-Louis Barye, Moigniez�s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portra...