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Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage
Cheshire Antiques Consultant Ltd
for sale €5,850     $6,350
£5,000
Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

1900 - 1920
Description

Dramatic Victorian Seascape Marine Oil Painting 5 Masted Steel Hull Sailing Ship Potosi Navigating Drakes Passage.

Impress your clients & guests make an art statement with this breathtaking nautical masterpiece to display on your office wall space or home interior.

Inscribed verso Potosi Launched June 8th 1895.

Signed in the bottom corner by the British artist Job.

C1900 beginning of the 20th century.

Oil on canvas set in original decorative gilt frame.

Large proportion sized frame being 110 cm wide and 79.5 cm high.

Title “Steel Hull Barque 5 Masted Ship Potosi Navigating Drakes Passage” C1900 by artist Job.

Your focus is first drawn to the large Potosi sailing ship in side profile heading to the right. In the notorious dangerous Drakes Passage. Bravely sailing along fierce large whitewater cap waves which are breathtaking. The ship is has 5 tall masts, the top section sails have been folded away. In the distance on the left flank is a steam ship and on the opposite flank a tall sail ship by Cape Horn Lighthouse.

Potosi was a five-masted steel hull barque bulk, nitrate carrier built in 1895 by Joh. C. Tecklenborg ship yard in Geestemünde, Germany, for the sailing ship company F. Laeisz as a trading vessel. The naval architect was Dr Georg Wilhelm Claussen. Built at yard number 133. Tonnage 4,027 GRT, displacement 8350 ts, length 436ft (133 m), beam 49.7 ft (15.1m) height 210.96 ft (64.30m) & draft 25.49 ft (7.77m/). 2 continuous decks, poop, midship & forecastle decks. Its primary purpose was as a "nitrate clipper" collecting guano in South America for use in chemical companies in Germany (mainly for making explosives and fertiliser). As its shipping route was between Germany, Bolivia until 1870 but, during the "pacific War" was transferred to Chile, it was designed to be capable of withstanding the rough weather encountered around Cape Horn.

Potosi was named after the Bolivian town of Potosí (the highest city in the world), its name beginning with "P" according to a Laeisz' tradition begun in the 1880s. The Potosi and sister ships became known as the Flying P Line and were described by Robert Carter as "without doubt, the most successful fleet of sail-driven ships ever assembled under one flag. Potosi had five masts and was rigged as a barque, meaning that the first four masts were square-rigged, each carrying six sails, and the fifth mast carried three fore-and-aft-sails. She was the third windjammer in the world merchant fleet with that kind of rigging, after the France I of the Antoine-Dominique Bordes line of Bordeaux, and the first German (auxiliary) steel barque Maria Rickmers of the Rickmers line.

In total, within the world merchant fleet, there were only six windjammers of this class of five-masted barque rigging, with four masts having carried five, six or partly seven sails on each mast: France I, Maria Rickmers(carried seven sails (skysails) on fore, main, mizzen masts, jigger mast with six sails), Potosi, R.C. Rickmers, France II (carried five sails as a bald header), and København The Potosi's shipping line sister ship, Preussen also had five masts, but was square rigged on each mast.

The idea of building such a ship for the Laeisz fleet came from the famous Laeisz-captain Robert Hilgendorf, who was to become the Potosi's first master. His considerations and ideas had a great influence on the ship's design and he was the supervising ship officer when the huge barque was under construction. She was assigned the call sign RKGB, and as with all P-liners her hull was black with a white waterline and a red underwater ship—the colours of the German flag at that time. Author Daniel S. Parrott describes the features of the "Flying P-Liners" and says "The effectiveness of the Flying P-Line lay not only in the construction of the vessel but also in their management." He also points out that "none of the fo

Physical Dimensions
Height
79.5cm (31.30")
Width
110cm (43.31")
Depth
4.5cm (1.77")
Declaration

Cheshire Antiques Consultant Ltd has dated this Antique Maritime Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1133937
Dealers Internal Reference
677
Dealers Notes

Delivery shipping information

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Great care and much time are taken over the safe transportation of the Fine Art & Antique pieces which we sell.

We bespoke pack & wrap extremely carefully, so you can rest assured that your piece will arrive with you in great as described condition.

For larger paintings, antique furniture pieces, and fragile items which can not be sent via the normal postal services, we use professional door-to-door delivery providers, who will always strive to deliver your piece promptly, within approximate. 2-5 working days for the United Kingdom mainland & International delivery between 5-14 working days.

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(excluding the cost of Postage & Packaging costs & any duties, taxes customs charges paid on buyers behalf or buy the buyer direct ).

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Following the UK leaving the EU on 1st January 2021 (BREXIT) there have been some changes to customs & duty charges for EU customers. Tax and import duty varies from country to country so we recommend you check with your local tax office to see if any fees will be payable.

If the customer refuses to pay any duty and customs charges and the parcel is returned to sender all shipping charges will be deducted from any refund.

Description
Dramatic Victorian Seascape Marine Oil Painting 5 Masted Steel Hull Sailing Ship Potosi Navigating Drakes Passage.
Impress your clients & guests make an art statement with this breathtaking nautical masterpiece to display on your office wall space or home interior.
Cheshire Antiques Consultant Ltd
fig 1. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 1. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

Inscribed verso Potosi Launched June 8th 1895.

Signed in the bottom corner by the British artist Job.

C1900 beginning of the 20th century.

Oil on canvas set in original decorative gilt frame.

Large proportion sized frame being 110 cm wide and 79.5 cm high.

fig 2. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 2. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

Title “Steel Hull Barque 5 Masted Ship Potosi Navigating Drakes Passage” C1900 by artist Job.

Your focus is first drawn to the large Potosi sailing ship in side profile heading to the right. In the notorious dangerous Drakes Passage. Bravely sailing along fierce large whitewater cap waves which are breathtaking. The ship is has 5 tall masts, the top section sails have been folded away. In the distance on the left flank is a steam ship and on the opposite flank a tall sail ship by Cape Horn Lighthouse.

fig 3. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 3. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

Potosi was a five-masted steel hull barque bulk, nitrate carrier built in 1895 by Joh. C. Tecklenborg ship yard in Geestemünde, Germany, for the sailing ship company F. Laeisz as a trading vessel. The naval architect was Dr Georg Wilhelm Claussen. Built at yard number 133. Tonnage 4,027 GRT, displacement 8350 ts, length 436ft (133 m), beam 49.7 ft (15.1m) height 210.96 ft (64.30m) & draft 25.49 ft (7.77m/). 2 continuous decks, poop, midship & forecastle decks. Its primary purpose was as a "nitrate clipper" collecting guano in South America for use in chemical companies in Germany (mainly for making explosives and fertiliser). As its shipping route was between Germany, Bolivia until 1870 but, during the "pacific War" was transferred to Chile, it was designed to be capable of withstanding the rough weather encountered around Cape Horn.

fig 4. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 4. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

Potosi was named after the Bolivian town of Potosí (the highest city in the world), its name beginning with "P" according to a Laeisz' tradition begun in the 1880s. The Potosi and sister ships became known as the Flying P Line and were described by Robert Carter as "without doubt, the most successful fleet of sail-driven ships ever assembled under one flag. Potosi had five masts and was rigged as a barque, meaning that the first four masts were square-rigged, each carrying six sails, and the fifth mast carried three fore-and-aft-sails. She was the third windjammer in the world merchant fleet with that kind of rigging, after the France I of the Antoine-Dominique Bordes line of Bordeaux, and the first German (auxiliary) steel barque Maria Rickmers of the Rickmers line.

fig 5. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 5. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

In total, within the world merchant fleet, there were only six windjammers of this class of five-masted barque rigging, with four masts having carried five, six or partly seven sails on each mast: France I, Maria Rickmers(carried seven sails (skysails) on fore, main, mizzen masts, jigger mast with six sails), Potosi, R.C. Rickmers, France II (carried five sails as a bald header), and København The Potosi's shipping line sister ship, Preussen also had five masts, but was square rigged on each mast.

fig 6. An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
fig 6. Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

The idea of building such a ship for the Laeisz fleet came from the famous Laeisz-captain Robert Hilgendorf, who was to become the Potosi's first master. His considerations and ideas had a great influence on the ship's design and he was the supervising ship officer when the huge barque was under construction. She was assigned the call sign RKGB, and as with all P-liners her hull was black with a white waterline and a red underwater ship—the colours of the German flag at that time. Author Daniel S. Parrott describes the features of the "Flying P-Liners" and says "The effectiveness of the Flying P-Line lay not only in the construction of the vessel but also in their management." He also points out that "none of the fo

Height
79.5cm (31.30")
Width
110cm (43.31")
Depth
4.5cm (1.77")
Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Antique Maritime Oil Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1133937
Dealers Internal Ref
677
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
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Archive I An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.

Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage

Archive II An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View II
Archive III An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View III
Archive IV An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View IV
Archive V An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View V
Archive VI An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View VI
Archive VII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View VII
Archive VIII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View VIII
Archive IX An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View IX
Archive X An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View X
Archive XI An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XI
Archive XII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XII
Archive XIII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XIII
Archive XIV An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XIV
Archive XV An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XV
Archive XVI An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XVI
Archive XVII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XVII
Archive XVIII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XVIII
Archive XIX An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XIX
Archive XX An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XX
Archive XXI An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXI
Archive XXII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXII
Archive XXIII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXIII
Archive XXIV An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXIV
Archive XXV An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXV
Archive XXVI An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXVI
Archive XXVII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXVII
Archive XXVIII An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXVIII
Archive XXIX An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXIX
Archive XXX An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame. View XXX
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Telephone 07494 763 382
Location
71-75 Shelton Street
Covent Garden
London
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Verified Since Jan 2021
Items For Sale 250
Items Sold 214
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Verified Since Jan 2021
View Dealer Info
Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
250
Sold
214
An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
Large Oil Painting 5 Masted Ship Potosi Navigating Drakes Passage
Ref: SA1133937
An oil painting depicting a five-masted vessel named Potosi sailing through turbulent ocean waves under a grey sky, enclosed in a gilded frame.
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Maritime vessel portraiture focused on accurate technical depictions of sailing ships alongside dramatic representations of sea conditions. These paintings served both decorative functions and historical documentation of prominent commercial or naval vessels.

Artists typically used oil-based pigments applied to stretched linen or cotton canvas. Frames were generally constructed from carved or moulded timber and finished with gold leaf or gilding.

Authenticity is evaluated through canvas age, surface craquelure, stretcher construction, and period-correct pigments. Detailed examination of the artists technique and historical accuracy of the ships rigging also provides verification.

A maritime oil painting creates a focal point when positioned above a fireplace mantel or mahogany sideboard. Pairing the dark tones of the artwork with warm neutral wall shades balances traditional subject matter within modern living spaces.

Paintings should be kept in climate-controlled environments away from direct sunlight, radiators, and high humidity. Gentle dusting with a soft, dry brush prevents dirt accumulation without compromising the paint surface.
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