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ID #SA1132832
FOR SALE
£395
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Grace Hastie Watercolour ‘ Still-life of Pansies ‘ ‘
Graham Reed Fine Art
for sale €462     $502
£395
Graham Reed Fine Art

Graham Reed Fine Art

Sellingantiques Verified Since Jun 2017
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    Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.
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Id #SA1132832
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Grace Hastie Watercolour ‘ Still-life of Pansies ‘ ‘

19th century
Description

Grace Hastie SWA Exh 1880-1925.Still-life painter in oil and watercolour.Exhibited at the principal London galleries from 1874,mainly at the Society of Woman Artists where she exhibited 253 works but also at the RA,RI and Suffolk Street.Lived London. ‘ Still -Life of Pansies’ signed watercolour ,dated 1877; image size ,framed size 21x31.5 cms,framed size 39x49 cms

Physical Dimensions
Height
39cm (15.35")
Width
49cm (19.29")
Depth
2.2cm (0.87")
Declaration

Graham Reed Fine Art has dated this Victorian Botanical Watercolour Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1132832
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Description
Grace Hastie SWA Exh 1880-1925.Still-life painter in oil and watercolour.
“
Exhibited at the principal London galleries from 1874,mainly at the Society of Woman Artists where she exhibited 253 works but also at the RA,RI and Suffolk Street.
Graham Reed Fine Art

Lived London. ‘ Still -Life of Pansies’ signed watercolour ,dated 1877; image size ,framed size 21x31.5 cms,framed size 39x49 cms

Height
39cm (15.35")
Width
49cm (19.29")
Depth
2.2cm (0.87")
Date of Manufacture

Graham Reed Fine Art has dated this Victorian Botanical Watercolour Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1132832
Graham Reed Fine Art
Graham Reed Fine Art
Sellingantiques verified Since Jun 2017

Previously I worked in london as a chartered surveyor and have been dealing in paintings for nearly thirty years.

Dealer Profile

You can view the stock and full dealer information on the Graham Reed Fine Art Profile Page

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A Victorian watercolour painting depicting blue, purple, and white pansies resting in a shallow terracotta dish against a dark background, signed and dated 1877.
1 / 2
Archive I A Victorian watercolour painting depicting blue, purple, and white pansies resting in a shallow terracotta dish against a dark background, signed and dated 1877.

Grace Hastie Watercolour ‘ Still-life of Pansies ‘ ‘

Archive II A Victorian watercolour painting depicting blue, purple, and white pansies resting in a shallow terracotta dish against a dark background, signed and dated 1877. View II
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Enlarged Archival View
Graham Reed Fine Art

Graham Reed Fine Art
Telephone 01765 698866 or 07547 037903
Location
Newark Antiques and Interiors
Kelham Rd
Newark
Nottinghamshire
NG24 1BX
United Kingdom
Dealer Profile Page sellingantiques.co.uk/reedfineart
Verified Since Jun 2017
Items For Sale 254
Items Sold 341
Graham Reed Fine Art
Graham Reed Fine Art
Verified Since Jun 2017
View Dealer Info
Location: Newark Antiques and Interiors, Kelham Rd, Newark, Nottinghamshire, NG24 1BX, United Kingdom
Profile: sellingantiques.co.uk/reedfineart
Verified
Jun 2017
For Sale
254
Sold
341
A Victorian watercolour painting depicting blue, purple, and white pansies resting in a shallow terracotta dish against a dark background, signed and dated 1877.
GRACE HASTIE WATERCOLOUR ‘ STILL-LIFE OF PANSIES ‘ ‘
Ref: SA1132832
A Victorian watercolour painting depicting blue, purple, and white pansies resting in a shallow terracotta dish against a dark background, signed and dated 1877.
Detail View 1
Archival Detail

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FAQs

During the Victorian era, natural history and botany became popular pursuits, leading to a rise in highly detailed floral studies. Artists, particularly women, mastered watercolour techniques to record plant specimens with precision and artistic sensitivity, often displaying them in domestic settings.

Victorian artists typically painted on heavy rag paper using water-based pigments bound with gum arabic. Fine sable hair brushes allowed for precise detail work, while layers of translucent washes built up colour depth and realistic textures.

Authentic pieces generally feature hand-laid paper exhibiting natural age toning or slight foxing, along with original hand signatures or dates. Examining the pigment application under magnification reveals delicate transparent washes typical of period water-based media rather than modern reproduction printing dots.

A Victorian floral watercolour works well integrated into a layered gallery wall alongside contemporary line drawings or modern photography. Placing the artwork within a minimalist frame creates a balanced contrast between historical subject matter and clean modern design.

Keep watercolour works out of direct sunlight and high-humidity environments to prevent fading and mould growth. Display the painting behind UV-filtering conservation glass paired with acid-free mountboard to protect the delicate paper substrate over time.
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