What is a double basket top table clock?

A double basket top table clock is a late 17th-century English spring-driven timepiece characterised by two stacked, pierced gilt-brass decorative superstructures on top of the wooden case, designed to allow sound from the internal bell to escape.

What materials were used to construct late 17th-century English clocks?

Clock cases from this period were typically constructed from fruitwood or oak veneered in ebony, ebonised wood, or walnut, combined with cast and pierced gilt-brass mounts, silvered brass chapter rings, and iron movement components.

How do you identify an authentic William and Mary period table clock?

Authentic pieces feature fused brass ormolu mounts, hand-engraved backplates, silvered chapter rings with Roman hour numerals, winged cherub spandrels at the dial corners, and a fusee movement mechanism typical of the late 1600s.

How do you style a historic bracket clock in a modern interior?

Place the clock as a focal piece on a structured mantelpiece, marble sideboard, or within a curated bookcase, pairing dark timber or metallic accents nearby to complement the ebonised finish and gilt brass details.

How should an ebonised table clock be maintained and preserved?

Keep the clock in a climate-controlled environment away from direct heat sources and moisture, dust the case gently with a soft microfibre cloth, and ensure the mechanical movement is serviced regularly by a specialist horologist.

for sale €31,473 $34,163

£26,900

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A 17th Century William and Mary Eight-day Double Basket Table Clock by Asselin

Name: A 17th Century William and Mary Eight-day Double Basket Table Clock by Asselin
Brand: Antique
SKU: SA1128220
Price: 26900 GBP
Availability: InStock

17th century

For Sale by Alexander George Antiques Ltd.

Description

A relatively small and extremely attractive late 17th century English eight-day spring-driven double basket table clock signed on the backplate Asselin London, dating to the period c.1695-1700.

The elegantly proportioned ebony-veneered double basket top case has very rich repousse brass ornaments to the door and matching rectangular gilt cast brass ornaments to the sides with viewing windows, so that the movement is visible. The case rests on four bun feet. The almost extravagant basket has protruding images on all sides, the front a bust of Jesus, the back a bagpipe player (an image of the devil), the sides showing busts of a woman and a soldier. The images may reflect the religious and political problems of the time. There are period finials on the four corners. The double basket is surmounted by a richly shaped carrying handle.

The fine square brass dial with a matted centre and two winding holes has an applied silvered chapter ring, a date aperture above the VI, a false pendulum aperture under the XII and gilt brass winged cherub-head spandrels in the corners. The plaque behind the false pendulum is also signed by the maker Asselin London. The chapter ring is engraved with a narrow outer minute ring within which are Arabic five-minute numerals and lozenge-shaped 7½-minute markers, a central ring of Roman hours I-XII and half-hour markers and an inner ring divided into quarter hours. The time is indicated by a period pair of finely pierced blued steel hands.

The striking eight-day twin fusee brass movement has a verge escapement with a short knife-suspended pendulum, the back cock having a particularly fine apron. The rack striking indicates the hours fully on a bell. The backplate is profusely engraved in period style around a typical signature cartouche with the maker’s name: Asselin London. In addition, the movement has pull-quarter repeat on a nest of six bells differing in pitch.

The maker

Francis and Stephen Asselin were Huguenot refugees and probably brothers, who came to England in the last quarter of the seventeenth century. Francis was an engraver, who became free of the Clockmakers’ Company in 1687. He sometimes signed his clocks Asselinne, which makes it likely that the present clock was made by Stephen. The latter signed the oath of allegiance to the Clockmakers’ Company in 1697. Spring clocks, longcase clocks, lantern clocks by his hand are known. That he was an accomplished maker is proven by this very fine clock.

Literature:

B. Loomes, The Clockmakers of Great Britain 1286-1700, Ashbourne, 2014, pp.20-21.

S. Dzik, Engraving on English Bracket Clocks, Oxford 2009, p.265

S. Dzik, Beneath the Dial, Oxford, 2023, pp.357-59

Declaration

Alexander George Antiques Ltd. has dated this William and Mary Table Clock to the 17th Century.

Reference Numbers

Sellingantiques Reference

SA1128220

Dealers Notes

Whether you are a collector or a first-time buyer the choice of pieces will inspire. Each has been carefully selected for its exceptional design and provenance, as well as in many instances its academic significance.

Originality and authenticity are paramount; and using our extensive knowledge and experience in furniture conservation and restoration we can ensure that our clients can buy with absolute confidence.

Description

A relatively small and extremely attractive late 17th century English eight-day spring-driven double basket table clock signed on the backplate Asselin London, dating to the period c.1695-1700.

The elegantly proportioned ebony-veneered double basket top case has very rich repousse brass ornaments to the door and matching rectangular gilt cast brass ornaments to the sides with viewing windows, so that the movement is visible. The case rests on four bun feet.

“

The almost extravagant basket has protruding images on all sides, the front a bust of Jesus, the back a bagpipe player (an image of the devil), the sides showing busts of a woman and a soldier.

Alexander George Antiques Ltd.

The images may reflect the religious and political problems of the time. There are period finials on the four corners. The double basket is surmounted by a richly shaped carrying handle.

fig 1. A late 17th-century William and Mary ebonised table clock featuring a pierced gilt-brass double basket top and a silvered chapter ring dial. — fig 1. A 17th Century William and Mary Eight-day Double Basket Table Clock by Asselin

The fine square brass dial with a matted centre and two winding holes has an applied silvered chapter ring, a date aperture above the VI, a false pendulum aperture under the XII and gilt brass winged cherub-head spandrels in the corners. The plaque behind the false pendulum is also signed by the maker Asselin London. The chapter ring is engraved with a narrow outer minute ring within which are Arabic five-minute numerals and lozenge-shaped 7½-minute markers, a central ring of Roman hours I-XII and half-hour markers and an inner ring divided into quarter hours. The time is indicated by a period pair of finely pierced blued steel hands.

fig 2. A late 17th-century William and Mary ebonised table clock featuring a pierced gilt-brass double basket top and a silvered chapter ring dial. — fig 2. A 17th Century William and Mary Eight-day Double Basket Table Clock by Asselin

The striking eight-day twin fusee brass movement has a verge escapement with a short knife-suspended pendulum, the back cock having a particularly fine apron. The rack striking indicates the hours fully on a bell. The backplate is profusely engraved in period style around a typical signature cartouche with the maker’s name: Asselin London. In addition, the movement has pull-quarter repeat on a nest of six bells differing in pitch.

fig 3. A late 17th-century William and Mary ebonised table clock featuring a pierced gilt-brass double basket top and a silvered chapter ring dial. — fig 3. A 17th Century William and Mary Eight-day Double Basket Table Clock by Asselin

The maker

Francis and Stephen Asselin were Huguenot refugees and probably brothers, who came to England in the last quarter of the seventeenth century. Francis was an engraver, who became free of the Clockmakers’ Company in 1687. He sometimes signed his clocks Asselinne, which makes it likely that the present clock was made by Stephen. The latter signed the oath of allegiance to the Clockmakers’ Company in 1697. Spring clocks, longcase clocks, lantern clocks by his hand are known. That he was an accomplished maker is proven by this very fine clock.