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Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas
Skippings Fine Arts
for sale €2,106     $2,286
£1,800
Skippings Fine Arts

Skippings Fine Arts

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Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

1920 - 1940
Description

In 1910, having separated from her first husband, the artist model Jeanne Chastagnier Serré had a relationship with the surrealist Marcel Duchamp: you know, the one of the porcelain urinal fame.

Young Yvonne, nicknamed Yo, was born nine months later, in 1911. Her mother Jeanne

told Duchamp neither about her pregnancy nor the birth: she only mentioned his paternity

to him in passing, when one day she ran into him by chance eight years later. And she

asked nothing of him.

Jeanne remarried a Monsieur Mayer, who adopted little Yo. Duchamp was clearly not at

all interested in a domestic life, but it is believed that he kept an eye on young Yo’s

development. It was Yo’s mother however who encouraged Yo to become an artist. Yo

studied at the Academie de la Grande Chaumière, and subsequently with William van

Hasselt and the cubist André Lhote.

In the present work, dating from 1939, Lhote’s infuence can be lightly felt in the use of

primary colours and very pure lines.

I do not know if our “Family” is based on an actual gathering. Men are

(almost) conspicuously absent. One young lady is holding a scroll – might this

be self portrait of Yo, having won and award or obtained a diploma? The house depicted must have

had its own dovecote, and the birds add a very special lightness and serenity to the scene.

But what happened with Yo and her father? They met for the first time in 1966, when

Yo is 55 and Marcel 79. Yo was not looking for a new father at that point – and so they

talked about art, not family. Visiting Yo’s studio in Montmartre, Marcel was impressed

enough to suggest a joint exhibition with her at the Bodley Gallery in New York, where

Warhol, Ernst, Leger and Picasso were showing their work.

Yo would continue to thrive: aged 72, she had a solo show at the Kunsthalle in Bern,

which revealed her to the general public. At almost ninety years old, she also had a show at

the Museum of Modern and Contemporary Art in Geneva. She became known under a number of names: Yo Mayer, YoSermayer, and Yo Savy.

Our oil on canvas on to board is signed at the lower left, and dated 1939. It came from the collection of the French surrealist painter Lucien Mathelin (1905-1985). Measuring 60 x 80 cm, the overall framed size of the artwork with its original whitened oak frame is 71 by 80 cm.

Physical Dimensions
Height
60cm (23.62")
Width
80cm (31.50")
Depth
1cm (0.39")
Declaration

Skippings Fine Arts has dated this 1930s Figurative Oil Painting to the 1930s.

Reference Numbers
Sellingantiques Reference
SA1124028
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
In 1910, having separated from her first husband, the artist model Jeanne Chastagnier Serré had a relationship with the surrealist Marcel Duchamp: you know, the one of the porcelain urinal fame.

Young Yvonne, nicknamed Yo, was born nine months later, in 1911. Her mother Jeanne

fig 1. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 1. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

told Duchamp neither about her pregnancy nor the birth: she only mentioned his paternity

to him in passing, when one day she ran into him by chance eight years later. And she

asked nothing of him.

Jeanne remarried a Monsieur Mayer, who adopted little Yo. Duchamp was clearly not at

fig 2. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 2. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

all interested in a domestic life, but it is believed that he kept an eye on young Yo’s

development. It was Yo’s mother however who encouraged Yo to become an artist. Yo

studied at the Academie de la Grande Chaumière, and subsequently with William van

fig 3. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 3. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

Hasselt and the cubist André Lhote.

In the present work, dating from 1939, Lhote’s infuence can be lightly felt in the use of

primary colours and very pure lines.

I do not know if our “Family” is based on an actual gathering. Men are

fig 4. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 4. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

(almost) conspicuously absent. One young lady is holding a scroll – might this

be self portrait of Yo, having won and award or obtained a diploma? The house depicted must have

had its own dovecote, and the birds add a very special lightness and serenity to the scene.

fig 5. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 5. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

But what happened with Yo and her father? They met for the first time in 1966, when

Yo is 55 and Marcel 79. Yo was not looking for a new father at that point – and so they

talked about art, not family. Visiting Yo’s studio in Montmartre, Marcel was impressed

fig 6. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 6. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

enough to suggest a joint exhibition with her at the Bodley Gallery in New York, where

Warhol, Ernst, Leger and Picasso were showing their work.

Yo would continue to thrive: aged 72, she had a solo show at the Kunsthalle in Bern,

fig 7. An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
fig 7. Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

which revealed her to the general public. At almost ninety years old, she also had a show at

the Museum of Modern and Contemporary Art in Geneva. She became known under a number of names: Yo Mayer, YoSermayer, and Yo Savy.

Our oil on canvas on to board is signed at the lower left, and dated 1939. It came from the collection of the French surrealist painter Lucien Mathelin (1905-1985).

Measuring 60 x 80 cm, the overall framed size of the artwork with its original whitened oak frame is 71 by 80 cm.
Skippings Fine Arts
Height
60cm (23.62")
Width
80cm (31.50")
Depth
1cm (0.39")
Date of Manufacture

Skippings Fine Arts has dated this 1930s Figurative Oil Painting to the 1930s.

Reference Numbers
Sellingantiques Ref
SA1124028
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
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Archive I An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.

Nuns and Doves, the Family, 1939: Avant-garde Woman Artist Yo Mayer, Marcel Duchamp's Daughter Oil on Canvas

Archive II An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View II
Archive III An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View III
Archive IV An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View IV
Archive V An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View V
Archive VI An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View VI
Archive VII An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View VII
Archive VIII An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View VIII
Archive IX An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View IX
Archive X An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building. View X
Enlarged Archival View
Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Verified Since Feb 2018
Items For Sale 168
Items Sold 684
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
View Dealer Info
Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
168
Sold
684
An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
Nuns and Doves, the Family, 1939: avant-garde woman artist Yo Mayer, Marcel Duchamp's daughter oil on canvas
Ref: SA1124028
An oil painting on canvas depicting a figurative group portrait including nuns, figures, and a dog seated outside a white building.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Modernist figurative painting of the 1930s is characterised by a departure from strict academic realism in favour of simplified forms, flattened perspectives, and expressive narrative compositions. Artists during this era synthesised influences from Folk Art, Surrealism, and Cubism to create distinct visual languages.

Artworks from this period typically feature oil-based pigments applied to stretched linen or cotton canvas, primed with traditional gesso ground. Canvas stretchers were crafted from softwood timber with keyed corners to allow tension adjustments.

Authenticity is verified through physical inspection of canvas age, stretcher construction, signature analysis, and craquelure patterns. Provenance documentation, exhibition labels on the reverse, and period-appropriate pigment composition further confirm attribution.

A large figurative canvas functions effectively as a focal point above a contemporary sideboard or floating mantlepiece. Pairing narrative artwork with clean-lined furniture and neutral wall tones allows the colours and composition to stand out.

Oil paintings on canvas should be kept away from direct sunlight, high humidity, and extreme temperature fluctuations. Dusting should be executed gently with a soft, dry natural-bristle brush, and surface cleaning or conservation work must be undertaken by a qualified restorer.
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