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William Shayer Srn. Oil Painting.
Country Homes Antiques Stirling
for sale €1,404     $1,524
£1,200
Country Homes Antiques Stirling

Country Homes Antiques Stirling

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William Shayer Srn. Oil Painting.

19th century
Description

William Shayer Snr (1787-1879)

A large painting by artist William Shayer Snr (1787-1879) Oil on panel. “Fisherman on the coast” Condition is very good. In elaborate heavy exhibition Victorian gilt frame

Size 50 cms by 68 cms. 20 inches x 27 inches Plus frame.

William Joseph Shayer, senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing a heraldic painting. Ultimately he began painting oil on canvas and became skilled at portraying woodland scenes with gypsies, people and animals in front of country inns and farmhouses, and beach scenes crowded with boats and fishermen.

He lived mainly in the south of England, in Shirley, Southampton, but painted throughout Hampshire and in a wooded district in the southwest part of Hampshire called the New Forest. Michael Hoy, a wealthy Southampton merchant, was one of his most enthusiastic patrons and bought many of Shayer’s paintings of the area.

He sometimes collaborated with other artists. Particularly successful were his collaborations with Edward Charles Williams, where Williams would paint the landscape and Shayer would add in people and animals. He also collaborated with other members of Williams’ family, Shayer’s second wife Elizabeth Waller said to somehow be related to Williams. The Old Roadside Inn that is shown here is one example of a collaboration between Shayer and Williams, and Near Wantage, Berkshire is another.

Shayer lived a long life, during which he had two wives and ten children. His eldest son, William Joseph Shayer, junior (1811-1892) was also a painter and painted in a style very similar to his father. Their paintings are easily confused, which is made all the more difficult by the fact that they probably collaborated on several paintings in the elder Shayer’s later years. Three of Shayer senior’s younger sons – Edward Dasherwood Shayer (1821-1864), Henry Thring Shayer (1825-1894) and Charles Walker Shayer (1826-1914) – became painters as well, and all assisted him at times in his studio. William Shayer, senior died at the age of 92 on 21 December 1879 at his home at Bladon Lodge near Southampton.

William Shayer, senior was a competent landscape artist, but he is best known as a figure painter. His work is reminiscent in some respects to the paintings of George Morland, another very popular figure painter. Shayer’s work though has a depth and brightness to it missing from the paintings of many of his contemporaries, due to his skilful application of glaze (i.e., spreading a thin, oily, transparent layer of paint over a dry opaque paint). He exhibited at the Royal Academy (6 works), the British Institution (82 works), and at the Suffolk Street Gallery of the Society of British Artists (338 works). He also exhibited in many of the lesser-known Victorian art venues as well. His works are on display at many museums including the Victoria and Albert Museum, the Tate Gallery, the Glasgow Art Gallery, and the New York Metropolitan Museum of Art.

Physical Dimensions
Height
50cm (19.69")
Width
68cm (26.77")
Declaration

Country Homes Antiques Stirling has dated this William Shayer Coastal Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1115152
Dealers Notes

500 pieces of quality antique furniture at Country Homes Antiques Stirling Scotland. View website. Trade welcome

Plus BenView garden centre authentic general antiques shop, carrying around 400 select and rare antique items. Selected by Andrew Christie former Fine Arts Auctioneer.

Description
William Shayer Snr (1787-1879)

A large painting by artist William Shayer Snr (1787-1879) Oil on panel. “Fisherman on the coast” Condition is very good. In elaborate heavy exhibition Victorian gilt frame

fig 1. An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
fig 1. William Shayer Srn. Oil Painting.

Size 50 cms by 68 cms. 20 inches x 27 inches Plus frame.

William Joseph Shayer, senior was a self-taught artist, who began by painting decorations on rush-bottom chairs, and moved on to painting carriages in the town of Guildford, after which he started doing a heraldic painting. Ultimately he began painting oil on canvas and became skilled at portraying woodland scenes with gypsies, people and animals in front of country inns and farmhouses, and beach scenes crowded with boats and fishermen.

He lived mainly in the south of England, in Shirley, Southampton, but painted throughout Hampshire and in a wooded district in the southwest part of Hampshire called the New Forest.
Country Homes Antiques Stirling

Michael Hoy, a wealthy Southampton merchant, was one of his most enthusiastic patrons and bought many of Shayer’s paintings of the area.

fig 2. An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
fig 2. William Shayer Srn. Oil Painting.

He sometimes collaborated with other artists. Particularly successful were his collaborations with Edward Charles Williams, where Williams would paint the landscape and Shayer would add in people and animals. He also collaborated with other members of Williams’ family, Shayer’s second wife Elizabeth Waller said to somehow be related to Williams. The Old Roadside Inn that is shown here is one example of a collaboration between Shayer and Williams, and Near Wantage, Berkshire is another.

fig 3. An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
fig 3. William Shayer Srn. Oil Painting.

Shayer lived a long life, during which he had two wives and ten children. His eldest son, William Joseph Shayer, junior (1811-1892) was also a painter and painted in a style very similar to his father. Their paintings are easily confused, which is made all the more difficult by the fact that they probably collaborated on several paintings in the elder Shayer’s later years. Three of Shayer senior’s younger sons – Edward Dasherwood Shayer (1821-1864), Henry Thring Shayer (1825-1894) and Charles Walker Shayer (1826-1914) – became painters as well, and all assisted him at times in his studio. William Shayer, senior died at the age of 92 on 21 December 1879 at his home at Bladon Lodge near Southampton.

fig 4. An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
fig 4. William Shayer Srn. Oil Painting.

William Shayer, senior was a competent landscape artist, but he is best known as a figure painter. His work is reminiscent in some respects to the paintings of George Morland, another very popular figure painter. Shayer’s work though has a depth and brightness to it missing from the paintings of many of his contemporaries, due to his skilful application of glaze (i.e., spreading a thin, oily, transparent layer of paint over a dry opaque paint). He exhibited at the Royal Academy (6 works), the British Institution (82 works), and at the Suffolk Street Gallery of the Society of British Artists (338 works). He also exhibited in many of the lesser-known Victorian art venues as well. His works are on display at many museums including the Victoria and Albert Museum, the Tate Gallery, the Glasgow Art Gallery, and the New York Metropolitan Museum of Art.

Height
50cm (19.69")
Width
68cm (26.77")
Date of Manufacture

Country Homes Antiques Stirling has dated this William Shayer Coastal Oil Painting to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1115152
Country Homes Antiques Stirling
Country Homes Antiques Stirling
Sellingantiques verified Since Nov 2016

Fine period furniturnishings-timeless design

Dealer Profile

You can view the stock and full dealer information on the Country Homes Antiques Stirling Profile Page

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An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
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Archive I An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.

William Shayer SRN. Oil painting.

Archive II An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame. View II
Archive III An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame. View III
Archive IV An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame. View IV
Archive V An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame. View V
Archive VI An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame. View VI
Enlarged Archival View
Telephone 07771 676321
Location
Stirling
United Kingdom
Verified Since Nov 2016
Items For Sale 205
Items Sold 562
Country Homes Antiques Stirling
Country Homes Antiques Stirling
Verified Since Nov 2016
View Dealer Info
Location: Stirling, United Kingdom
Verified
Nov 2016
For Sale
205
Sold
562
An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
William Shayer SRN. Oil painting.
Ref: SA1115152
An antique 19th-century oil painting depicting fishermen and a working horse alongside sailing boats on a shoreline, housed within a deeply carved gold gilded frame.
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Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 19th century, British coastal art focused on everyday maritime life, fishing communities, and rustic beach scenes. Artists depicted coastal trades, working horses, and traditional sailing vessels rendered in naturalistic light.

Paintings from this era were executed using oil pigments on linen or cotton canvas stretched over wooden frames. The surrounding frames were constructed from carved timber or moulded composition applied over wood, finished with gold leaf gilding.

Authentic 19th-century oil paintings exhibit craquelure across the paint surface, natural oxidisation on the canvas reverse, and period-appropriate stretcher construction. Signatures, artist labels, or gallery stencils on the reverse timber frame also assist in verification.

A heavy gilt-framed antique oil painting creates a focal point when hung above a sideboard or fireplace mantelpiece. Pairing historical artwork with minimalist contemporary furniture highlights the craftsmanship and texture of the period frame.

Dust the surface gently using a soft, dry camel-hair brush, avoiding wet cloths or commercial cleaning solvents that strip gold leaf or paint layers. Maintain a stable indoor environment with controlled humidity to prevent canvas warping and paint flaking.
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