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French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.
Big Sky Fine Art
for sale €3,387     $3,677
£2,895
Big Sky Fine Art

Big Sky Fine Art

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French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

19th century
For Sale by Big Sky Fine Art
Description

A. Lesueur.

French 19ème Siècle.

Les Mille et Une Nuits – One Thousand and One Nights, 1892.

Charcoal On Paper Heightened With White.

Signed & Dated 1892 Lower Right.

Image size 23.6 inches x 18.1 inches ( 60cm x 46cm ).

Frame size 28.7 inches x 23.2 inches ( 73cm x 59cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original French charcoal drawing (heightened in white) of the Orientalist School is signed A. Lesueur and is dated 1892.

The drawing is presented and supplied in a contemporary and sympathetic frame (which is shown in these photographs) mounted using conservation materials and behind glass.

This antique drawing (heightened in white) is in very good condition, commensurate with its age. The paper surface has been cleaned on our instruction, supervision and approval. It wants for nothing and is supplied ready to hang and display.

The drawing has been created on French fine art paper by Canson. An embossed blind stamp is located in the top left-hand corner and features a “Caduceus” with a winged helmet above it. The letters are “GF” and the wording at the side says “Bristol Teinte”.

The drawing is signed and dated 1892 lower right.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

The French orientalist Antoine Galland translated the ancient collection of Middle Eastern folk tales known as One Thousand and One Nights from the fourteenth or fifteenth century Syrian manuscript into French in the early 1700s. His version was called Les Mille et Une Nuits and he added to the original collection the stories of Aladdin’s Wonderful Lamp and Ali Baba and the Forty Thieves, as well as retelling The Seven Voyages of Sinbad the Sailor. His version was published in twelve volumes and exerted a significant influence on subsequent European literature and attitudes to the Islamic world. Indeed, it has been said that his version entered the works into world literature, as most later literary references to these tales are taken from his translation. In the later 1880s and 1890s these tales became very popular in European literary circles and illustrations of the characters in the stories were fashionable. This extraordinary work of art appears to be one such illustration, taking its inspiration from the adventures of the ancient middle eastern world. It is perhaps of note that this work of art was created only four years after the first English translation of One Thousand and One Nights by Sir Richard Francis Burton. It is possible that this work was produced as an illustration for a printed version of the tales, or simply that it represented this aspect of literary culture at the end of the nineteenth century. Either way, it is a unique and authentic piece of history in its own right.

© Big Sky Fine Art

Contact us on +44 (0) 1305 581426 or by email art@bigskyfineart.com .

Physical Dimensions
Height
73cm (28.74")
Width
59cm (23.23")
Depth
2.5cm (0.98")
Declaration

Big Sky Fine Art has dated this Orientalist Charcoal Horse Drawing to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1113877
Description
A. Lesueur.

French 19ème Siècle.

Les Mille et Une Nuits – One Thousand and One Nights, 1892.

Charcoal On Paper Heightened With White.

Signed & Dated 1892 Lower Right.

Image size 23.6 inches x 18.1 inches ( 60cm x 46cm ).

fig 1. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 1. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

Frame size 28.7 inches x 23.2 inches ( 73cm x 59cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original French charcoal drawing (heightened in white) of the Orientalist School is signed A.
Big Sky Fine Art

Lesueur and is dated 1892.

fig 2. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 2. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

The drawing is presented and supplied in a contemporary and sympathetic frame (which is shown in these photographs) mounted using conservation materials and behind glass.

This antique drawing (heightened in white) is in very good condition, commensurate with its age. The paper surface has been cleaned on our instruction, supervision and approval. It wants for nothing and is supplied ready to hang and display.

fig 3. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 3. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

The drawing has been created on French fine art paper by Canson. An embossed blind stamp is located in the top left-hand corner and features a “Caduceus” with a winged helmet above it. The letters are “GF” and the wording at the side says “Bristol Teinte”.

fig 4. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 4. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

The drawing is signed and dated 1892 lower right.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

fig 5. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 5. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

fig 6. An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
fig 6. French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

The French orientalist Antoine Galland translated the ancient collection of Middle Eastern folk tales known as One Thousand and One Nights from the fourteenth or fifteenth century Syrian manuscript into French in the early 1700s. His version was called Les Mille et Une Nuits and he added to the original collection the stories of Aladdin’s Wonderful Lamp and Ali Baba and the Forty Thieves, as well as retelling The Seven Voyages of Sinbad the Sailor. His version was published in twelve volumes and exerted a significant influence on subsequent European literature and attitudes to the Islamic world. Indeed, it has been said that his version entered the works into world literature, as most later literary references to these tales are taken from his translation. In the later 1880s and 1890s these tales became very popular in European literary circles and illustrations of the characters in the stories were fashionable. This extraordinary work of art appears to be one such illustration, taking its inspiration from the adventures of the ancient middle eastern world. It is perhaps of note that this work of art was created only four years after the first English translation of One Thousand and One Nights by Sir Richard Francis Burton. It is possible that this work was produced as an illustration for a printed version of the tales, or simply that it represented this aspect of literary culture at the end of the nineteenth century. Either way, it is a unique and authentic piece of history in its own right.

© Big Sky Fine Art

Contact us on +44 (0) 1305 581426 or by email art@bigskyfineart.com .

Height
73cm (28.74")
Width
59cm (23.23")
Depth
2.5cm (0.98")
Date of Manufacture

Big Sky Fine Art has dated this Orientalist Charcoal Horse Drawing to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1113877
Big Sky Fine Art
Big Sky Fine Art
Sellingantiques verified Since Aug 2020

Dealers in original fine art from 1800

Dealer Profile

You can view the stock and full dealer information on the Big Sky Fine Art Profile Page

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An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
1 / 29
Archive I An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.

French 19ème Siècle Orientalism. Les Mille Et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.

Archive II An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View II
Archive III An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View III
Archive IV An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View IV
Archive V An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View V
Archive VI An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View VI
Archive VII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View VII
Archive VIII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View VIII
Archive IX An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View IX
Archive X An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View X
Archive XI An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XI
Archive XII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XII
Archive XIII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XIII
Archive XIV An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XIV
Archive XV An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XV
Archive XVI An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XVI
Archive XVII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XVII
Archive XVIII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XVIII
Archive XIX An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XIX
Archive XX An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XX
Archive XXI An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXI
Archive XXII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXII
Archive XXIII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXIII
Archive XXIV An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXIV
Archive XXV An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXV
Archive XXVI An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXVI
Archive XXVII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXVII
Archive XXVIII An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXVIII
Archive XXIX An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper. View XXIX
Enlarged Archival View
Telephone 01305 581426
Location
Greenwood House
Plaisters Lane
Sutton Poyntz
Dorset
DT3 6LQ
United Kingdom

Under appointment only.
Verified Since Aug 2020
Items For Sale 90
Items Sold 3
Big Sky Fine Art
Big Sky Fine Art
Verified Since Aug 2020
View Dealer Info
Location: Greenwood House, Plaisters Lane, Sutton Poyntz, Dorset, DT3 6LQ, United Kingdom, , Under appointment only.
Verified
Aug 2020
For Sale
90
Sold
3
An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
French 19ème Siècle Orientalism. Les Mille et Une Nuits – One Thousand and One Nights, 1892. Orientalist Heightened Charcoal Drawing.
Ref: SA1113877
An 1892 framed Orientalist charcoal drawing heightened with white chalk, depicting an Arabian horse rearing beside a handler in traditional costume on toned paper.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

French Orientalism of the 19th century was an artistic movement fascinated by the landscapes, cultures, and narratives of North Africa, the Levant, and the Middle East. Artists produced dramatic compositions often inspired by literary themes, such as One Thousand and One Nights, focusing on equestrian subjects, traditional attire, and striking lighting effects.

Artists typically used natural charcoal or compressed carbon sticks on toned, heavy-weave paper. White chalk or light gouache was applied as a heightening technique to build highlights, enhance three-dimensional volume, and create contrast against the darker charcoal values.

Authentic works from this period display age-appropriate characteristics such as subtle paper oxidisation, faint foxing, and fine hand-drawn charcoal strokes that sit on the paper texture rather than appearing printed. Original artist signatures, dates, and historic framing elements also assist in verification.

Place the artwork as a focal point in a study, reading room, or hallway alongside dark wood furniture, brass accents, and tailored textiles. Framing the piece in a classic dark frame with a subtle gilt inner slip bridges historical tone with modern interior schemes.

Display the drawing away from direct sunlight and high humidity, ideally mounted under UV-protective glass. Ensure the artwork is framed using acid-free matting materials to prevent charcoal dust from adhering directly to the glass or causing paper degradation.
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