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James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.
Big Sky Fine Art
for sale €2,919     $3,169
£2,495
Big Sky Fine Art

Big Sky Fine Art

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James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

1920 - 1940
For Sale by Big Sky Fine Art
Description

James Tower.

English ( b.1919 - d.1988 ).

Still Life Of Flowers In A Jug And A Plate Of Fruit.

Watercolour & Ink.

Image size 15.4 inches x 13 inches ( 39cm x 33cm ).

Frame size 22.2 inches x 19.3 inches ( 56.5cm x 49cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original wartime painting is by the English ceramic artist James Tower and dates from 1940 to 1945.

The watercolour is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using new conservation materials and behind non-reflective Artglass AR 70™glass.

This vintage painting is in good condition, commensurate with its age. The painting is now preserved for future adoration and is ready to hang and to be appreciated.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

One of Britain’s most important 20th century ceramic artists; a quintessentially English sculptor, painter and teacher who was dedicated to his craft.

James Tower was born on the Isle of Sheppey in Kent, and brought up in a landscape of tidal estuaries, reeds, fish, shells and patterns of water on sand that greatly influenced his later work. He had a childhood accident that blinded him in one eye.

He left home at 17 and decided to travel the world, eventually making his way to the South Seas. On his return, he studied painting at the Royal Academy, (1938-40), and his talent was recognised when he won the Gold Medal for Painting in 1939.

During the Second World War he enrolled for service and spent the war working in camouflage and mapping at the Polish Ministry of Information. He married fellow student Maureen McManus in 1944. After the war he returned to art, enrolling at the Slade School of Art in 1946. Here he attended Dora Billington’s classes and became fascinated with ceramics. After he graduated, he took further classes in the medium at the London Institute under the British potter William Newland.

In 1949 Tower was invited to set up a ceramics course at the progressive Bath Academy, Corsham. He established a diverse artistic environment, teaching and working alongside artists such as Terry Frost, Kenneth Armitage, William Scott and Peter Lanyon. His work was characterised by an emphasis on abstract; organic forms and painterly surfaces, evoking notions of nature, particularly foliage, water and the landscape. In 1963 he won a Leverhulme Research Award for terracotta research. Tower remained in post at Bath until 1964.

In 1966 he became Head of Fine Art at Brighton College of Art, where he set up a sculpture course and remained in post until 1986.

As a sculptor and ceramicist Tower is known for his domestic pottery, terracotta sculpture and large glazed forms. He often used the sea as a motif in his work, using wave patterns to create a sense of movement, and his textured surfaces are reminiscent of shells and crustaceans.

© Big Sky Fine Art

For a full biography of this artist please see his listing on www.bigskyfineart.com .

Contact us by phone on +44 (0) 1305 581426 or email art@bigskyfineart.com .

Physical Dimensions
Height
56.5cm (22.24")
Width
49cm (19.29")
Depth
1.2cm (0.47")
Declaration

Big Sky Fine Art has dated this James Tower Watercolour Painting to the 1940s.

Reference Numbers
Sellingantiques Reference
SA1112376
Description
James Tower.

English ( b.1919 - d.1988 ).

Still Life Of Flowers In A Jug And A Plate Of Fruit.

Watercolour & Ink.

Image size 15.4 inches x 13 inches ( 39cm x 33cm ).

Frame size 22.2 inches x 19.3 inches ( 56.5cm x 49cm ).

Available for sale from Big Sky Fine Art in the English county of Dorset, this original wartime painting is by the English ceramic artist James Tower and dates from 1940 to 1945.
Big Sky Fine Art
fig 1. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 1. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

The watercolour is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted using new conservation materials and behind non-reflective Artglass AR 70™glass.

fig 2. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 2. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

This vintage painting is in good condition, commensurate with its age. The painting is now preserved for future adoration and is ready to hang and to be appreciated.

Good News for our US Customers!

From 24 July 2026 the original works of art we sell are classified under the US Harmonised Tariff Schedule (HTS) Chapter 97 as exempt from the additional Section 301 import tariffs introduced in February 2026. This means that this original work of art can be imported into the United States without these additional tariffs. This allows American customers to buy from us with confidence, knowing that they are not going to be penalised by this global tariff.

fig 3. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 3. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

Please note that normal U.S. Customs procedures and any applicable US State sales or use taxes remain unchanged.

We provide a professional shipping and delivery service which is free to customers in the UK, Europe, USA and Canada. We can also provide other worldwide delivery on any purchase. Please contact us for further information.

fig 4. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 4. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

One of Britain’s most important 20th century ceramic artists; a quintessentially English sculptor, painter and teacher who was dedicated to his craft.

James Tower was born on the Isle of Sheppey in Kent, and brought up in a landscape of tidal estuaries, reeds, fish, shells and patterns of water on sand that greatly influenced his later work. He had a childhood accident that blinded him in one eye.

fig 5. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 5. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

He left home at 17 and decided to travel the world, eventually making his way to the South Seas. On his return, he studied painting at the Royal Academy, (1938-40), and his talent was recognised when he won the Gold Medal for Painting in 1939.

fig 6. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 6. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

During the Second World War he enrolled for service and spent the war working in camouflage and mapping at the Polish Ministry of Information. He married fellow student Maureen McManus in 1944. After the war he returned to art, enrolling at the Slade School of Art in 1946. Here he attended Dora Billington’s classes and became fascinated with ceramics. After he graduated, he took further classes in the medium at the London Institute under the British potter William Newland.

fig 7. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 7. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

In 1949 Tower was invited to set up a ceramics course at the progressive Bath Academy, Corsham. He established a diverse artistic environment, teaching and working alongside artists such as Terry Frost, Kenneth Armitage, William Scott and Peter Lanyon. His work was characterised by an emphasis on abstract; organic forms and painterly surfaces, evoking notions of nature, particularly foliage, water and the landscape. In 1963 he won a Leverhulme Research Award for terracotta research. Tower remained in post at Bath until 1964.

fig 8. A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
fig 8. James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

In 1966 he became Head of Fine Art at Brighton College of Art, where he set up a sculpture course and remained in post until 1986.

As a sculptor and ceramicist Tower is known for his domestic pottery, terracotta sculpture and large glazed forms. He often used the sea as a motif in his work, using wave patterns to create a sense of movement, and his textured surfaces are reminiscent of shells and crustaceans.

© Big Sky Fine Art

For a full biography of this artist please see his listing on www.bigskyfineart.com .

Contact us by phone on +44 (0) 1305 581426 or email art@bigskyfineart.com .

Height
56.5cm (22.24")
Width
49cm (19.29")
Depth
1.2cm (0.47")
Date of Manufacture

Big Sky Fine Art has dated this James Tower Watercolour Painting to the 1940s.

Reference Numbers
Sellingantiques Ref
SA1112376
Big Sky Fine Art
Big Sky Fine Art
Sellingantiques verified Since Aug 2020

Dealers in original fine art from 1800

Dealer Profile

You can view the stock and full dealer information on the Big Sky Fine Art Profile Page

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A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
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Archive I A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.

James Tower 1919 - 1988. English. Still Life of Flowers in a Jug and a Plate of Fruit. Framed Wartime 1940-1945 Watercolour Painting.

Archive II A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View II
Archive III A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View III
Archive IV A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View IV
Archive V A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View V
Archive VI A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View VI
Archive VII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View VII
Archive VIII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View VIII
Archive IX A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View IX
Archive X A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View X
Archive XI A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XI
Archive XII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XII
Archive XIII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XIII
Archive XIV A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XIV
Archive XV A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XV
Archive XVI A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XVI
Archive XVII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XVII
Archive XVIII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XVIII
Archive XIX A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XIX
Archive XX A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XX
Archive XXI A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XXI
Archive XXII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XXII
Archive XXIII A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table. View XXIII
Enlarged Archival View
Telephone 01305 581426
Location
Greenwood House
Plaisters Lane
Sutton Poyntz
Dorset
DT3 6LQ
United Kingdom

Under appointment only.
Verified Since Aug 2020
Items For Sale 90
Items Sold 3
Big Sky Fine Art
Big Sky Fine Art
Verified Since Aug 2020
View Dealer Info
Location: Greenwood House, Plaisters Lane, Sutton Poyntz, Dorset, DT3 6LQ, United Kingdom, , Under appointment only.
Verified
Aug 2020
For Sale
90
Sold
3
A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
James Tower 1919 - 1988. English. Still Life Of Flowers In A Jug And A Plate Of Fruit. Framed Wartime 1940-1945 Watercolour Painting.
Ref: SA1112376
A framed watercolour and ink still life painting depicting a ceramic jug filled with botanical foliage alongside a plate of fruit on a table.
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Archival Detail
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

This period of British art often featured a synthesis of classical representation and modernist abstraction, using fluid washes alongside expressive ink line drawing to depict domestic subjects.

Artists typically worked on heavy rag paper using water-based pigments and india ink, mounted within wooden frames behind protective glass.

Authenticity can be verified through artist signatures, period paper watermarks, contemporary framer labels, and distinct tonal characteristics associated with mid-century pigments.

Position the artwork on a neutral wall above a sideboard or console, paired with modern ceramics or minimalist furnishings to highlight the graphic ink lines and muted tones.

Display the picture away from direct sunlight using UV-filtering glass, maintain stable humidity levels to prevent paper foxing, and clean the frame glass gently with a dry microfibre cloth.
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