Rolinda Sharples 1794 - 1838
A Domestic Interior with a Gentleman''s shaving ritual Interupted by his Wife
Label on reverse inscribed ''Mrs Rolinda Sharples / 2 Lower Harley Close/ Clifton''
oil on canvas
30 x 25in. (76 x 63.5cm.)
Label on reverse inscribed ''Mrs Rolinda Sharples / 2 Lower Harley Close/ Clifton''
Notes
The Sharples family were, like the Peales, a multi-generational family of artists. Rolinda was the daughter of James and Ellen, both artists. She was born either in New York in 1794 or in Bristol or Bath in 1793; at any rate, the family moved to New York in 1794, where the family business prospered, and then after James died, the family moved back to Bristol in 1811. Rolinda and her brothers George, Felix, and James, Jr. became artists, and successful ones too. Rolinda trained with her mother, seen in this self-portrait and went on to exhibit in major cities, including at the Royal Academy in London. She was an English painter who specialized in po
...rtraits and genre paintings in oil. She exhibited at the Royal Academy, and at the Society of British Artists, where she became an honorary member. She was only an infant when her parents moved to America in 1794. In 1803, Rolinda’s mother, a miniature portrait painter, began to encourage her daughter to take an interest in the profession. She taught Rolinda drawing, paying her small sums of money to encourage her. By the time Rolinda was 13 years old, the teenager had joined the family business, which consisted of creating small scale pastel portraits of famous people and copying them and selling them for a profit. Along with her two brothers and mother, she began copying miniature portraits from her father’s original paintings. After her father’s death in New York in 1811, Rolinda returned to Bristol with her mother and brother. She branched out from painting small portraits, earning her living painting portraits in oil, and more ambitious genre and contemporary history paintings that depicted groups of people. During this time, her mother Ellen’s diaries shifted their focus to Rolinda’s progress as an artist. In 1812, Ellen wrote of her daughter: “Rolinda commenced oil painting on the 21, & has since applied with great ardour, continuing other studies, & having lessons in music, practising &c.” Soon thereafter in 1813, Ellen notes that she “sat for my picture to Rolinda in oil colours as large as life, kit kat size, the first portrait she painted in oil.” Rolinda painted her mother several times. At the end of 1813, she painted a large as life portrait, having, as her mother observed, “much improved in painting and become discontented with the portrait executed in Jan. 7.” In 1814, Rolinda painted a self-portrait, and in 1815 she completed a double portrait entitled The Artist and Her Mother, which can be seen on this page.
Rolinda was elected an honorary member of the Society of British Artists in 1827. Rolinda was one of the first female British artists to tackle multi-figure compositions. Her group paintings were as meticulous in detail as the small portraits she once painted, and today her scenes of Regency Bristol are considered to be accurate social records of the period. Her major paintings include The Cloak Room, Clifton Assembly Rooms; Racing on the Downs; Rownham Ferry with Portraits; The Stoppage of the Bank; and The Trial of Colonel Brereton after the Bristol Riots of 1831. Rolinda also painted smaller, more intimate studies from nature – of shells, or of a little mouse – which she exhibited.
Rolinda’s paintings were included in exhibitions in Bristol, Leeds, Birmingham, and Carlisle, and with the Royal Academy and the Society of British Artists in London. For the last eight years of her life she lived with her mother in Hotwells, and died of breast cancer in 1838. Many of her paintings are now in the Bristol City Museum & Art Gallery.
Antique ID Number (AIDN): SA1111290
Dateline of this antique is 19th Century
Height is 76cm (29.9inches)Width is 64cm (25.2inches)Depth is 2cm (0.8inches)
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