A magnificent Spanish Colonial 18th century, Peruvian religious oil painting of Saint Francis of Assis, in a solid silver frame and a pair of solid silver plaques.
The 2 plaques were most probably the doors of the alter piece that held the painting of St Francis of Assis.
Both side plaques represent a fusion of culture in between European and Inca mythology, a horned mythical creature to the centre, representing Supay, with two cornucopias coming from his mouth and a pair of birds eating the fruits.
The pair of plaques are mounted on velvet lined wood. Minor losses to some of the edges.
The central painting is adorned by repoussé silver work, with flowers and 2 dog figureheads and 4 feathers, deciding the silver work in the frame.
Like other Native American cultures, the Inca society was heavily influenced by the local animal populations, both as food, textile, and transportational sources as well as religi
...ous and cultural cornerstones. Many myths and legends of the Inca include or are solely about an animal or a mix of animals and their interactions with the gods, humans, and or natural surroundings.
In the silver work in these pieces, represent the beauty of the fusion of these cultures.
The painting is painted in oil on a metal backing.
The image is St Francis of Assis, one of the most venerated figures in Christianity.
This painting depicts St Francis Receiving the Stigmata.
He was the first person, historically recorded, who bore the marks of the crucified Christ in his hands, his feet, and in his side.
Side plaques 40cm x 38cm
Central plaque 36cm x 26cm
Antique ID Number (AIDN): SA1104715
Dateline of this antique is 18th Century
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