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ID #SA1101385
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£25,000
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Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836
Seventh Heaven
for sale €29,250     $31,750
£25,000

Seventh Heaven

Sellingantiques Verified Since Mar 2013
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Id #SA1101385
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Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

17th century
For Sale by Seventh Heaven
Description

An important museum quality brass four poster bed made by R W Winfield circa 1831 to 1836 as a special commission for the prince of the Ottoman Empire in the harem of the Topkapi Palace in Istanbul.

The four substantial brass posts have cast fittings depicting acanthus leaves, ornate cast brass feet with brass castors, similar castings on their tops, and culminating in delicate brass finials. The side runners and cross runners are formed from brass tube over steel bars and are joined to the posts by means of hand-made tapered fittings on steel plates. The cast kneecaps of the bed are covered with brass plates and finished with decorative rosettes on their outer faces. The head and foot panels of the bed are formed from brass in a stunning scrolling leaf design, typical of the arabesque style. A crest at the centre of the head panel depicts two ornately etched interwoven letters, A and K.

On the underside of the front cross runner there is a brass plate depicting “R W Winfield’s Patent” underneath the royal coat of arms of William IV, which dates the bed as pre-1837. This is apparent on the coat of arms due to the inescutcheon of the Kingdom of Hanover, which was later removed in Victorian times. There is no diamond registration mark on the bed. However, that is an indication it was made earlier than 1842, when this dating system was introduced.

This fabulous piece has recently been acquired from a family in London whose origins are from Turkey. In the mid-Nineteenth century the bed was given as a gift to the bird keeper of the Topkapi palace by the Sultan, and it remained in the possession of the bird keeper’s family ever since, having been passed down from generation to generation.

It is the understanding of family members that the bed was originally made for the prince of the Ottoman Empire in the 1830s. It is therefore believed that A is the initial of either Abdulmejid (Sultan from 1839 to 1861) or his brother Abdulaziz (Sultan 1861 to 1876). The letter K represents “Kadin”, a generic name for the consort of the prince.

Robert W. Winfield was one of the most important metal furniture manufacturers of the Nineteenth Century. His works in Cambridge Street, Birmingham, established c.1820-9, pioneered the design and production of brass and iron furniture. R W Winfield’s 1831 patent allowed for the manufacture of bed pillars and legs in one entire tube of metal, and he was also known for his military metallic bedsteads, for which he claimed he was ‘proprietor of the original patent’. The firm became renowned for producing the most innovative designs in decorative furniture and exhibited in all the important international exhibitions of the time, including the 1851 Great Exhibition, where they displayed a brass bedstead.

The Anglo-Ottoman Treaty of 1838 established closer ties and trade links between Great Britain and the Ottoman Empire and represented a turn towards the west. It is possible that this specially commissioned piece was given to the prince of the Ottoman empire by the leading furniture manufacturer of the age, R W Winfield, to coincide with this treaty.

The Topkapi palace in Istanbul was the main residence and court of the Ottoman empire from the 15th century until the mid-19th century. The opulent interiors of the harem featured ornate interior decoration in the Islamic Arabesque style, which this bed’s design perfectly suits. In 1856 the court moved to the newly built Dolmabahçe Palace on the European coast of the Bosporus strait. This new palace in the European Baroque style represented further the turn towards Europe and away from the East. Possibly this Arabesque style of furniture fell out of favour and was given as a gift to the bird keeper around this time.

This wonderful piece of furniture truly is unique, and its specific history means it surely belongs in a museum, possibly even

Physical Dimensions
Height
238cm (93.70")
Width
157cm (61.81")
Depth
213cm (83.86")
Declaration

Seventh Heaven has dated this Antique Brass Four Poster Bed to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1101385
Dealers Internal Reference
WINFIELD OTTOMAN
Dealers Notes

The price is for the bed frame and a firm bed base.

A sprung base, mattress, bedding and linen are extra and can be supplied by ourselves

This bed is on display in our large showrooms in Chirk Mill, on the North Wales border an hour from Birmingham, Manchester or Liverpool. We are open 5 days a week ( Tuesday - Saturday) for visiting and for telephoning/e-mailing.

Please see our website www.seventh-heaven.co.uk for our full range of antique beds along with furniture, mattresses, bases, bedding and linen.

Tel 01691777622

email- sales@seventh-heaven.co.uk

Description
An important museum quality brass four poster bed made by R W Winfield circa 1831 to 1836 as a special commission for the prince of the Ottoman Empire in the harem of the Topkapi Palace in Istanbul.
The four substantial brass posts have cast fittings depicting acanthus leaves, ornate cast brass feet with brass castors, similar castings on their tops, and culminating in delicate brass finials.
Seventh Heaven

The side runners and cross runners are formed from brass tube over steel bars and are joined to the posts by means of hand-made tapered fittings on steel plates. The cast kneecaps of the bed are covered with brass plates and finished with decorative rosettes on their outer faces. The head and foot panels of the bed are formed from brass in a stunning scrolling leaf design, typical of the arabesque style. A crest at the centre of the head panel depicts two ornately etched interwoven letters, A and K.

fig 1. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 1. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

On the underside of the front cross runner there is a brass plate depicting “R W Winfield’s Patent” underneath the royal coat of arms of William IV, which dates the bed as pre-1837. This is apparent on the coat of arms due to the inescutcheon of the Kingdom of Hanover, which was later removed in Victorian times. There is no diamond registration mark on the bed. However, that is an indication it was made earlier than 1842, when this dating system was introduced.

fig 2. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 2. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

This fabulous piece has recently been acquired from a family in London whose origins are from Turkey. In the mid-Nineteenth century the bed was given as a gift to the bird keeper of the Topkapi palace by the Sultan, and it remained in the possession of the bird keeper’s family ever since, having been passed down from generation to generation.

fig 3. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 3. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

It is the understanding of family members that the bed was originally made for the prince of the Ottoman Empire in the 1830s. It is therefore believed that A is the initial of either Abdulmejid (Sultan from 1839 to 1861) or his brother Abdulaziz (Sultan 1861 to 1876). The letter K represents “Kadin”, a generic name for the consort of the prince.

fig 4. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 4. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

Robert W. Winfield was one of the most important metal furniture manufacturers of the Nineteenth Century. His works in Cambridge Street, Birmingham, established c.1820-9, pioneered the design and production of brass and iron furniture. R W Winfield’s 1831 patent allowed for the manufacture of bed pillars and legs in one entire tube of metal, and he was also known for his military metallic bedsteads, for which he claimed he was ‘proprietor of the original patent’. The firm became renowned for producing the most innovative designs in decorative furniture and exhibited in all the important international exhibitions of the time, including the 1851 Great Exhibition, where they displayed a brass bedstead.

fig 5. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 5. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

The Anglo-Ottoman Treaty of 1838 established closer ties and trade links between Great Britain and the Ottoman Empire and represented a turn towards the west. It is possible that this specially commissioned piece was given to the prince of the Ottoman empire by the leading furniture manufacturer of the age, R W Winfield, to coincide with this treaty.

fig 6. A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
fig 6. Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

The Topkapi palace in Istanbul was the main residence and court of the Ottoman empire from the 15th century until the mid-19th century. The opulent interiors of the harem featured ornate interior decoration in the Islamic Arabesque style, which this bed’s design perfectly suits. In 1856 the court moved to the newly built Dolmabahçe Palace on the European coast of the Bosporus strait. This new palace in the European Baroque style represented further the turn towards Europe and away from the East. Possibly this Arabesque style of furniture fell out of favour and was given as a gift to the bird keeper around this time.

This wonderful piece of furniture truly is unique, and its specific history means it surely belongs in a museum, possibly even

Height
238cm (93.70")
Width
157cm (61.81")
Depth
213cm (83.86")
Date of Manufacture

Seventh Heaven has dated this Antique Brass Four Poster Bed to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1101385
Dealers Internal Ref
WINFIELD OTTOMAN
Seventh Heaven
Sellingantiques verified Since Mar 2013
Dealer Profile

You can view the stock and full dealer information on the Seventh Heaven Profile Page

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A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
1 / 14
Archive I A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.

Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836

Archive II A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View II
Archive III A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View III
Archive IV A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View IV
Archive V A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View V
Archive VI A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View VI
Archive VII A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View VII
Archive VIII A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View VIII
Archive IX A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View IX
Archive X A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View X
Archive XI A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View XI
Archive XII A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View XII
Archive XIII A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View XIII
Archive XIV A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials. View XIV
Enlarged Archival View
Telephone 01691 777 622
Location
Chirk Mill
Chirk
Wrexham
LL14 5BU
United Kingdom
Verified Since Mar 2013
Items For Sale 35
Items Sold 27
Seventh Heaven
Verified Since Mar 2013
View Dealer Info
Location: Chirk Mill, Chirk, Wrexham, LL14 5BU, United Kingdom
Verified
Mar 2013
For Sale
35
Sold
27
A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
Brass Four Poster Bed by R W Winfield for the Prince of Ottoman Empire Circa 1831 to 1836
Ref: SA1101385
A 19th-century brass four poster bed featuring intricate scrollwork headboard and footboard cartouches set between turned corner posts with finials.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Originating between 1830 and 1837, William IV brass beds bridge the transition from classic Regency proportions to Victorian ornamentation. They are characterised by heavy cast brass construction, architectural turned posts, and elaborate scrollwork cartouches on the headboard and footboard.

Makers during this period utilised cast brass elements alongside hollow drawn brass tubing fitted over internal iron rods for structural integrity. Decorative elements were typically pressure-cast or hand-chased before being assembled with threaded iron joinery.

Authentic pieces feature heavy-gauge cast metal components, hand-threaded bolts, and original stamped makers marks, such as those from prominent Birmingham foundries. Look for natural surface oxidisation, age-appropriate patination, and hand-fitted joints rather than modern uniform welds.

A brass four poster bed creates a focal point in a master bedroom when paired with neutral crisp linens to highlight the metal framework. Surrounding the frame with dark painted walls or muted wallcoverings provides visual contrast against the reflective metallic finish.

Maintain the surface by dusting regularly with a soft, lint-free cloth and avoiding abrasive chemical cleaners that can strip protective lacquers or historic patina. If unlacquered, gentle application of specialist brass paste can balance oxidisation while preserving aged character.
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