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ANTIQUE #SA1060371

A Late 19th Century Bronze Figure Of A Seated Hound, After Prince Paul Troubetzkoy (1866-1938)

£4,500    $6,003    €5,349
A late 19th century bronze of a hound, seated on a naturalistic base, after Prince Paul Troubetzkoy. Incised to base ''Paolo Troubetzkoy 1893'', with a dark brown patina.
 
Born in 1866 in Intra, on the shores of Lake Maggiore in Northern Italy, Troubetzkoy was the second-born child of the Russian Prince Pyotr Petrovich Troubetzkoy and the American singer Ada Winans. During his childhood, Troubetzkoy was exposed to popular artists and poets of the time, who used to meet at the grandiose Villa Ada (the Troubetzkoy family residence)on Lake Maggiore. Among the personalities of the Troubetzkoy family’s circle were the sculptor Giuseppe Grandi, the composer Alfredo Catalani and the painters Tranquillo Cremona and Daniele Ranzoni, well-known in Italy at that time. With the latter, Troubetzkoy had a long-lasting friendship.
 
From an early age, Paul displayed an extravagant personality and a fascination with the world around him. He favored independent thinking and was intolerant to rigorous study. These personality traits consolidated during his apprenticeship in Milan in 1884, with Donato Barcaglia and Ernesto Bazzaro. After a few months, he decided to leave the apprenticeship to work for himself and joined the Milanese artistic circles. He initially focused his art on small statuettes of animal subjects such as horses, dogs and elephants.
 
For the first time, in 1886, he exhibited one of his works, A Horse, at the Brera Academy. Towards 1890, he participated in numerous competitions for public monuments depicting, among others, Garibaldi, Dante and Amedeo VI of Savoia. In the same period, some of his works were acquired by museums in Italy and overseas, such as the Galleria Nazionale d’Arte Moderna in Rome and the Golden Gate Museum in San Francisco.
 
During his years of education in Italy, Troubetzkoy exhibited in important venues including Brera in Milan and the Koenig Galerie in Berlin. Following the death of his parents in 1898 and his brother Pierre moving to England, Troubetzkoy decided to move to Russia, where he stayed until 1906, with some intervals in France and Italy. These years were a turning point for the artist.
 
In 1899, he met Leo Tolstoy in Yasnaya Polyana. The encounter had a lifelong impact on Troubetzkoy. The artist, struck by Tolstoy’s humanitarian spirit, dramatically changed his views on life. Not only did he decide to stop eating food of animal origin, as witnessed by his work titled Corpse Eaters (today in the Collection of the Museo del Paesaggio), but also gradually changed his circle of close friends and beliefs.
 
In 1900 he participated in the Exposition Universelle in Paris with his Leo Tolstoy riding “Delire” (today at the Musée d’Orsay) which won him the Grand Prix. This success gave Troubetzkoy greater visibility and a huge boost to his career, gaining him an even wider recognition among the upper classes.
 
After his appointment as professor of sculpture at the Academy in Moscow, where he prompted his stu...
Antique #SA1060371, shown on this page, originates from the 19th century. For historical context, the timeline below highlights the period when it was made:
19th Century
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Isherwood Fine Art
16th to 19th century Old Master, British and European Paintings and Sculpture, specialising in period portraiture. Member BADA, LAPADA.
Isherwood Fine Art is also an antique trade association member of LAPADA BADA
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United Kingdom
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