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sellingantiques.co.uk
ID #SA1055639
FOR SALE
£75
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Jacques Rigaud (French 1681-1754) 'Veue Du Parc De St. Jaques/a Prospect of St. James Park', a Hand-coloured 18th Century Engraving, 1730'S
Jeckyll & Co
for sale €88     $95
£75

Jeckyll & Co

Sellingantiques Verified Since May 2022
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Id #SA1055639
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Jacques Rigaud (French 1681-1754) 'Veue Du Parc De St. Jaques/a Prospect of St. James Park', a Hand-coloured 18th Century Engraving, 1730'S

18th century
For Sale by Jeckyll & Co
Description

Some spots of foxing, white blemish bottom centre.

Measurements are taken to the edge of the mount, the frame is also present.

Please let me know if you have any questions.

Follow us on Instagram: jeckyll_and_co

Physical Dimensions
Height
23cm (9.06")
Width
38cm (14.96")
Declaration

Jeckyll & Co has dated this Antique London Topographical Engraving to the Georgian era.

Reference Numbers
Sellingantiques Reference
SA1055639
Description
Some spots of foxing, white blemish bottom centre.

Measurements are taken to the edge of the mount, the frame is also present.

Please let me know if you have any questions.

Follow us on Instagram: jeckyll_and_co

Height
23cm (9.06")
Width
38cm (14.96")
Date of Manufacture

Jeckyll & Co has dated this Antique London Topographical Engraving to the Georgian era.

Reference Numbers
Sellingantiques Ref
SA1055639
Jeckyll & Co
Sellingantiques verified Since May 2022

Instagram: jeckyllandco

Dealer Profile

You can view the stock and full dealer information on the Jeckyll & Co Profile Page

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An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky.
1 / 3
Archive I An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky.

Jacques Rigaud (French 1681-1754) 'Veue Du Parc De St. Jaques/a Prospect of St. James Park', a Hand-coloured 18th Century Engraving, 1730'S

Archive II An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky. View II
Archive III An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky. View III
Enlarged Archival View

Jeckyll & Co
Telephone 07735 072466
Location
Edinburgh
United Kingdom
Dealer Profile Page sellingantiques.co.uk/jeckyllco
Verified Since May 2022
Items For Sale 70
Items Sold 293
Jeckyll & Co
Verified Since May 2022
View Dealer Info
Location: Edinburgh, United Kingdom
Profile: sellingantiques.co.uk/jeckyllco
Verified
May 2022
For Sale
70
Sold
293
An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky.
Jacques Rigaud (French 1681-1754) 'Veue du Parc de St. Jaques/A Prospect of St. James Park', a hand-coloured 18th century engraving, 1730's
Ref: SA1055639
An 18th-century hand-coloured engraving depicting a prospective view of St. Jamess Park in London with figures, horses, and distant city skyline under a blue sky.
Detail View 1
Detail View 2
Archival Detail

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FAQs

Topographical engravings from the 18th century are detailed pictorial representations of specific geographical places, cities, or landscapes created using copperplate printing techniques. These prints were produced to document urban growth, royal parks, and architectural landmarks for contemporary collectors.

These prints were executed using ink pressed from etched or engraved copper plates onto handmade rag paper. Subsequent colouration was applied individually by hand using water-based pigments.

Authentic copperplate prints feature a distinct indented plate mark around the image border created by the pressure of the printing press. Additionally, 18th-century rag paper exhibits laid lines, chain lines, and characteristic age toning or foxing.

Historical prints suit traditional framing with neutral mounts and can be displayed individually above sideboards or arranged in gallery walls alongside complementary period works. They add architectural context and classic detail to study walls, dining spaces, or hallways.

To prevent deterioration, prints should be framed using acid-free mounting materials and UV-filtering protective glass. Keep paper artworks away from direct sunlight, high humidity, and extreme heat to avoid fading and foxing.
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