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George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith
Mansion House Antiques & Fine Art
for sale €293     $318
£250
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

19th century
Description

After George Morland Mezzotint Printed In Colours & Originally Engraved By I.R.Smith

Titled Feeding The Pigs.

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ABOUT THE ARTIST

George Morland (26 June 1763 in London – 29 October 1804 in Brighton) was an English painter. His early work was influenced by Francis Wheatley (painter) but after the 1790s he came into his own style. His best compositions focus on rustic scenes: farms and hunting smugglers and gypsies and rich, textured landscapes informed by Dutch Golden Age painting.

George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780.

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Recent new gallery frame and lined mount strung ready to hang

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Framed Measurements

Height 28.75 Inches ( 73 cm )

Width. 32.75 Inches ( 83 cm )

Depth 1.20 Inches 3 cm )

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Condition

Excellent with no fading and well preserved under glass and sealed with hardboard panel

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Dateline

Estimated around 1870 ( the first Engraved version dates c1801

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Inscriptions Lower Bottom Margin Reads Left To Right

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Painted By G.Morland / London Published July 1 1801 By I.R.Smith King Street Govent Garden

Engraved By I.R.Smith & Mezzotints Engraved To His Royal Highness The Prince Of Wales

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‘ No. 1 Feeding The Pigs ‘

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Delivery

UK Mainland ( Next Day Recorded & Insured ) Add £50

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TELEPHONE ENQUIRIES: 07765 856171

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Quote Our Ref 0816

Physical Dimensions
Height
73cm (28.74")
Width
83cm (32.68")
Depth
3cm (1.18")
Declaration

Mansion House Antiques & Fine Art has dated this George Morland Mezzotint Print to the Victorian era.

Reference Numbers
Sellingantiques Reference
SA1029951
Dealers Internal Reference
0816
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
After George Morland Mezzotint Printed In Colours & Originally Engraved By I.R.Smith

Titled Feeding The Pigs.

ABOUT THE ARTIST

George Morland (26 June 1763 in London – 29 October 1804 in Brighton) was an English painter.

His early work was influenced by Francis Wheatley (painter) but after the 1790s he came into his own style.
Mansion House Antiques & Fine Art

His best compositions focus on rustic scenes: farms and hunting smugglers and gypsies and rich, textured landscapes informed by Dutch Golden Age painting.

fig 1. A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
fig 1. George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780.

fig 2. A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
fig 2. George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

Recent new gallery frame and lined mount strung ready to hang

Framed Measurements

Height 28.75 Inches ( 73 cm )

Width. 32.75 Inches ( 83 cm )

Depth 1.20 Inches 3 cm )

Condition

Excellent with no fading and well preserved under glass and sealed with hardboard panel

fig 3. A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
fig 3. George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

Dateline

Estimated around 1870 ( the first Engraved version dates c1801

Inscriptions Lower Bottom Margin Reads Left To Right

Painted By G.Morland / London Published July 1 1801 By I.R.Smith King Street Govent Garden

fig 4. A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
fig 4. George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

Engraved By I.R.Smith & Mezzotints Engraved To His Royal Highness The Prince Of Wales

‘ No. 1 Feeding The Pigs ‘

Delivery

UK Mainland ( Next Day Recorded & Insured ) Add £50

TELEPHONE ENQUIRIES: 07765 856171

Quote Our Ref 0816

Height
73cm (28.74")
Width
83cm (32.68")
Depth
3cm (1.18")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this George Morland Mezzotint Print to the Victorian era.

Reference Numbers
Sellingantiques Ref
SA1029951
Dealers Internal Ref
0816
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
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Archive I A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.

George Morland Coloured Mezzotint Feeding the Pigs Engraved by I R Smith

Archive II A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount. View II
Archive III A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount. View III
Archive IV A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount. View IV
Archive V A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount. View V
Archive VI A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount. View VI
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 131
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
View Dealer Info
Location: East Midlands, United Kingdom
Verified
Nov 2009
For Sale
131
Sold
652
A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
George Morland Coloured Mezzotint Feeding The Pigs Engraved By I R Smith
Ref: SA1029951
A framed antique coloured mezzotint print depicting figures and farm animals in front of a thatched barn, set inside a gold gilt beaded frame with a lined mount.
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Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A coloured mezzotint is an engraving technique where tone is produced through subtle shading created by microscopic indentations on a copper plate, printed with coloured inks or finished with hand colouring. Popularised during the late 18th century, these prints brought pastoral paintings and genre scenes into private domestic interiors.

These works were printed onto rag paper composed of cotton or linen fibres using oil-based copperplate inks. Period framing typically consists of a carved timber mould substrate coated with gilders bole and gold leaf, sealed behind protective glass.

Authentic period prints display a distinct plate impression line indented into the paper around the image border. Additionally, original items retain crisp publication text along the lower margin identifying the artist, engraver, publisher, and London address.

Position this piece above a timber sideboard, console table, or within a gallery wall arrangement of natural history and landscape prints. Pairing classic gilded frames against contemporary muted wall finishes creates a structured visual balance.

Keep the artwork clear of direct sunlight, high humidity levels, and heat sources to prevent paper foxing, warping, and pigment degradation. Ensure conservation-grade UV-filtering glass and acid-free backing boards are installed.
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