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Watercolour, William Collins Ra (1788-1847)
Henley Street Antiques
for sale €205     $222
£175

Henley Street Antiques

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Watercolour, William Collins Ra (1788-1847)

19th century
Description

Original Watercolour attributed to Royal Academy Artist William Collins (1788-1847).

Collins was an acclaimed artist and member of the Royal Academy with several exhibits at the Royal Academy. He was a contemporary fellow artist of Constable and Turner whose financial value he at times succeeded.

This watercolour sketch possibly depicts a Norfolk Coastal Scene made during his 1815 sketching tour of the Norfolk Coast. There is a very interesting caption on the reverse of the frame:

From the collection of Mr. J. Erxleben, who was for 50 years associated with Professor Sir Richard Owen, as his draughtsman and lithographer, and was a lifelong intimate friend of the late Louis Hughe P.R.I.

Erxleben was a renown Dutch/German Victorian lithographer and did numerous works as a draughtsman and lithographer for the anatomist and palaeontologist Richard Owen (1804-1892) who was a good friend of Charles Darwin.

The frame measures ca 29 cm x 21 cm.

Free delivery to all UK and Ireland destinations.

Please add an additional £ 15 for deliveries to the EU, USA and Canada.

For all other destinations please ask for a quote.

Declaration

Henley Street Antiques has dated this William Collins Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1028762
Dealers Internal Reference
SKU 809
Dealers Notes

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Description
Original Watercolour attributed to Royal Academy Artist William Collins (1788-1847).
Collins was an acclaimed artist and member of the Royal Academy with several exhibits at the Royal Academy.
Henley Street Antiques

He was a contemporary fellow artist of Constable and Turner whose financial value he at times succeeded.

fig 1. A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
fig 1. Watercolour, William Collins Ra (1788-1847)

This watercolour sketch possibly depicts a Norfolk Coastal Scene made during his 1815 sketching tour of the Norfolk Coast. There is a very interesting caption on the reverse of the frame:

From the collection of Mr. J. Erxleben, who was for 50 years associated with Professor Sir Richard Owen, as his draughtsman and lithographer, and was a lifelong intimate friend of the late Louis Hughe P.R.I.

fig 2. A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
fig 2. Watercolour, William Collins Ra (1788-1847)

Erxleben was a renown Dutch/German Victorian lithographer and did numerous works as a draughtsman and lithographer for the anatomist and palaeontologist Richard Owen (1804-1892) who was a good friend of Charles Darwin.

fig 3. A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
fig 3. Watercolour, William Collins Ra (1788-1847)

The frame measures ca 29 cm x 21 cm.

Free delivery to all UK and Ireland destinations.

Please add an additional £ 15 for deliveries to the EU, USA and Canada.

For all other destinations please ask for a quote.

Date of Manufacture

Henley Street Antiques has dated this William Collins Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1028762
Dealers Internal Ref
SKU 809
Henley Street Antiques
Sellingantiques verified Since Jul 2020
Dealer Profile

You can view the stock and full dealer information on the Henley Street Antiques Profile Page

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A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
1 / 6
Archive I A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.

Watercolour, William Collins RA (1788-1847)

Archive II A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones. View II
Archive III A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones. View III
Archive IV A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones. View IV
Archive V A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones. View V
Archive VI A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones. View VI
Enlarged Archival View
Telephone 07580 216 993
Location
50 Henley Street
Stratford upon Avon
United Kingdom
Verified Since Jul 2020
Items For Sale 119
Items Sold 280
Henley Street Antiques
Verified Since Jul 2020
View Dealer Info
Location: 50 Henley Street, Stratford upon Avon, United Kingdom
Verified
Jul 2020
For Sale
119
Sold
280
A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
Watercolour, William Collins RA (1788-1847)
Ref: SA1028762
A 19th-century watercolour painting depicting a tall stone ruin alongside a harbour with boats in muted blue, grey, and brown tones.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

The period was marked by the British Golden Age of watercolour, where artists moved from tinted topographical drawings to expressive, atmospheric landscape art. Techniques favoured layered transparent washes, loose brushwork, and naturalistic depictions of coastal and rural Britain.

Artists utilised handmade rag paper, often with uneven edges and heavy texture, paired with natural mineral and botanical pigments bound in gum arabic. Work was rendered using camel hair or sable brushes and occasionally fixed onto paper card mounts.

Authentic works show characteristic natural ageing such as light foxing, minor toning of the paper, and historic mounting. Examination under magnification reveals fine wash layers and pencil underdrawing rather than modern printing dot matrices.

These works layer effectively into gallery walls alongside contemporary sketches, or serve as focal accents in traditional and transitional interiors. Pairing them with streamlined modern frames creates an appealing juxtaposition between historic technique and clean spatial design.

Keep the artwork out of direct sunlight and protect it behind UV-filtering glass. Ensure it is framed using acid-free matting materials to prevent mat burn, and maintain a stable indoor environment free from high humidity.
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