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ID #SA1024697
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£12,500
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19th Century Portrait Oil Painting of a Spaniel Dog in an Interior by Samuel John Carter (1835-1892)
For sale by Isherwood Fine Art
for sale €14,625     $15,875
£12,500
Isherwood Fine Art

Isherwood Fine Art

Sellingantiques Verified Since Oct 2023
Browse dealers 37 items
  • About Us
    16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
  • Trade Associations
    Isherwood Fine Art is a registered member of LAPADA  BADA 
Id #SA1024697
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19th Century Portrait Oil Painting of a Spaniel Dog in an Interior by Samuel John Carter (1835-1892)

19th century
Description

A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior.

Provenance:

With Arthur Ackermann & Son Ltd., London.

Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284

Private collection, London

Samuel John Carter was born in March 1835 at Swaffham, Norfolk, the son of Samuel Isaac Carter, a gamekeeper. As a child Carter took lessons from John Sell Cotman who ran a school of drawing in Swaffham.

Basing himself in London and Swaffham, Carter became established as an animal painter, including wildlife and hunting scenes, and was the principal animal illustrator for the Illustrated London News from 1867 to 1889. He also worked as an animal portrait painter in his Norfolk locale, including obtaining commissions to paint clients' horses and dogs. Exhibiting regularly at the Royal Academy, he drew positive comment from John Ruskin.

In 1858, at the age of 22, Carter married Martha Joyce (c. 1836–1920) at Swaffham. They had 11 children: ten sons and a daughter, with three sons dying in infancy. Most of the surviving children inherited their father's artistic talent with three, William, Verney and Amy, exhibiting at the Royal Academy. The youngest, Howard, became an archaeologist after gaining a reputation for his precise copying of Egyptian tomb decorations, later discovering the tomb of Tutankhamun.

Date of Manufacture

Isherwood Fine Art has dated this Victorian Spaniel Oil Painting to the 19th Century.

Independent Date Guide ID 08172879
Dealer's Item Date19th Century
Sellingantiques Date19th Century
Sellingantiques agingItem 130-170 years old
ResultsDates match
Why Sellingantiques dated this piece to THE 19TH CENTURY:
Naturalistic Victorian handling of the dog's coat and expression.
Interior setting with heavy drape and silk damask day-bed.
Moulded giltwood frame with an inscribed brass artist nameplate.
Soft diffused lighting across the plain plaster wall behind.

This Independent Date Guide was compiled by Sellingantiques using its own proprietary system. It works only from the photographs shown on this page and is never told the date the dealer has declared. It is a guide, not a guarantee of age, and occasional errors can occur.

Physical Dimensions
Height
63.5cm (25.00")
Width
76.2cm (30.00")
Reference Numbers
Sellingantiques Reference
SA1024697
Dealers Notes

Isherwood fine art

Description
A black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior.

Provenance:

With Arthur Ackermann & Son Ltd., London.

Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284

fig 1. A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame.
fig 1. 19th Century Portrait Oil Painting of a Spaniel Dog in an Interior by Samuel John Carter (1835-1892)

Private collection, London

“
Samuel John Carter was born in March 1835 at Swaffham, Norfolk, the son of Samuel Isaac Carter, a gamekeeper.
Isherwood Fine Art

As a child Carter took lessons from John Sell Cotman who ran a school of drawing in Swaffham.

Basing himself in London and Swaffham, Carter became established as an animal painter, including wildlife and hunting scenes, and was the principal animal illustrator for the Illustrated London News from 1867 to 1889. He also worked as an animal portrait painter in his Norfolk locale, including obtaining commissions to paint clients' horses and dogs. Exhibiting regularly at the Royal Academy, he drew positive comment from John Ruskin.

In 1858, at the age of 22, Carter married Martha Joyce (c. 1836–1920) at Swaffham. They had 11 children: ten sons and a daughter, with three sons dying in infancy. Most of the surviving children inherited their father's artistic talent with three, William, Verney and Amy, exhibiting at the Royal Academy. The youngest, Howard, became an archaeologist after gaining a reputation for his precise copying of Egyptian tomb decorations, later discovering the tomb of Tutankhamun.

Date of Manufacture

Isherwood Fine Art has dated this Victorian Spaniel Oil Painting to the 19th Century.

Independent Date Report ID 08172879
Dealer's Item Date19th Century
Sellingantiques dating19th Century
Sellingantiques agingItem 130-170 years old
ResultsDates match
Why Sellingantiques dated this piece to the 19th Century:
Naturalistic Victorian handling of the dog's coat and expression.
Interior setting with heavy drape and silk damask day-bed.
Moulded giltwood frame with an inscribed brass artist nameplate.
Soft diffused lighting across the plain plaster wall behind.

This is an independent date report produced by Sellingantiques using its own proprietary system. The process uses the photographs shown on this page. The system is never told the date the dealer has declared. This report shows that the two dates corroborate.

Height
63.5cm (25.00")
Width
76.2cm (30.00")
Reference Numbers
Sellingantiques Ref
SA1024697
Isherwood Fine Art
Isherwood Fine Art
Sellingantiques verified Since Oct 2023

16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.

Dealer Profile

You can view the stock and full dealer information on the Isherwood Fine Art Profile Page

Trade Associations

Isherwood Fine Art is a registered member of LAPADA  BADA 

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A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame.
1 / 2
Archive I A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame.

19th Century Portrait Oil Painting of a Spaniel Dog in an Interior by Samuel John Carter (1835-1892)

Archive II A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame. View II
Enlarged Archival View
Telephone 07984 699799
Location
Bath
Somerset
United Kingdom

By appointment only.

Viewing in London by appointment.
Verified Since Oct 2023
Items For Sale 37
Items Sold 38
Isherwood Fine Art
Isherwood Fine Art
Verified Since Oct 2023
View Dealer Info
Location: Bath, Somerset, United Kingdom, , By appointment only., , Viewing in London by appointment.
Verified
Oct 2023
For Sale
37
Sold
38
A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame.
19th century portrait oil painting of a spaniel dog in an interior by Samuel John Carter (1835-1892)
Ref: SA1024697
A 19th-century oil painting depicting a black and white spaniel standing on a gilded surface beside a gold cushion and red curtain, presented in a carved gilt frame.
Detail View 1
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period19th century
  • StyleVictorian Realism
  • MaterialOil on canvas, Giltwood frame
  • ColourBlack, White, Gold, Red
  • MotifsSpaniel portrait, Crimson drapery, Gilded bolster cushion, Carved gilt frame
  • SizeH 63.5 cm (25 in) x W 76.2 cm (30 in)

This nineteenth-century oil painting on canvas by Samuel John Carter depicts a black and white spaniel standing in an interior. Painted in the Victorian Realism style, the work portrays the dog beside a gold bolster cushion and crimson drapery against a neutral wall. The artwork sits within an ornate, carved giltwood frame featuring textured moulding and relief decoration along the inner and outer borders. The name plaque is centered at the bottom of the frame. The visible palette includes tones of black, white, gold, and red. The canvas measures 63.5 cm high by 76.2 cm wide. Appropriate for an English Country house interior, the piece suits placement above the mantel in a drawing room or study to introduce traditional animal portraiture to a wall space.

Dust the surface gently with a soft, dry brush, avoiding moisture or harsh chemical cleaners, and position the artwork away from direct sunlight, heat sources, and high humidity.

An antique canine painting creates a focal point when hung above a mantelpiece or sideboard, blending well with layered traditional interiors or juxtaposed against neutral contemporary backdrops.

Authentic pieces show age-appropriate craquelure across the paint layer, natural canvas darkening or historic re-lining, maker brass nameplates, and period timber stretcher bars.

Victorian oil paintings were executed using natural pigment-based oil paints on stretched linen or cotton canvas, encased in carved wooden frames finished with gold leaf gilded composition ornament.

Nineteenth-century British animal portraiture often depicted domestic pets, sporting dogs, and livestock with realism and character, reflecting the Victorian appreciation for animals and rural country life.
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