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ID #SA1022611
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Eton – Upper School, Engraving After Tom M. Hemy 1887
Mark Davis Antiques
for sale €205     $222
£175

Mark Davis Antiques

Sellingantiques Verified Since May 2008
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Eton – Upper School, Engraving After Tom M. Hemy 1887

19th century
Description

After TOM M. HEMY 1887

ETON – UPPER SCHOOL, engraving

Signed in pencil in the margin CHRIS O. MURRAY by the artist and G. WOOLACROFT Rhead sc

Plate size 21 inches / 53 cm x 15.25 inches / 39 cm

In original oak frame with gilt slips 29.75 inches x 15.25 inches

London, published January 16th 1858, publisher to The Queen,

114 New Bond Street W.

£175

Physical Dimensions
Height
53cm (20.87")
Width
39cm (15.35")
Depth
1cm (0.39")
Declaration

Mark Davis Antiques has dated this Antique Eton College Engraving to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1022611
Dealers Notes

Large store/

Monday -Sunday 9.00-18.00. By prior appointment.

Description
After TOM M. HEMY 1887

ETON – UPPER SCHOOL, engraving

Signed in pencil in the margin CHRIS O. MURRAY by the artist and G. WOOLACROFT Rhead sc

Plate size 21 inches / 53 cm x 15.25 inches / 39 cm

In original oak frame with gilt slips 29.75 inches x 15.25 inches

London, published January 16th 1858, publisher to The Queen,

114 New Bond Street W.

£175

Height
53cm (20.87")
Width
39cm (15.35")
Depth
1cm (0.39")
Date of Manufacture

Mark Davis Antiques has dated this Antique Eton College Engraving to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1022611
Mark Davis Antiques
Sellingantiques verified Since May 2008
Dealer Profile

You can view the stock and full dealer information on the Mark Davis Antiques Profile Page

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A framed 1887 monochrome engraving depicting a historic interior assembly scene at Eton Upper School.
1 / 1
Archive I A framed 1887 monochrome engraving depicting a historic interior assembly scene at Eton Upper School.

Eton – Upper School, Engraving After Tom M. Hemy 1887

Enlarged Archival View
Telephone 07890 261614
Location
16 Fore Street
Kingsbridge
Devon
TQ7 1NY
United Kingdom
Verified Since May 2008
Items For Sale 92
Items Sold 42
Mark Davis Antiques
Verified Since May 2008
View Dealer Info
Location: 16 Fore Street, Kingsbridge , Devon, TQ7 1NY, United Kingdom
Verified
May 2008
For Sale
92
Sold
42
A framed 1887 monochrome engraving depicting a historic interior assembly scene at Eton Upper School.
ETON – UPPER SCHOOL, engraving After TOM M. HEMY 1887
Ref: SA1022611
A framed 1887 monochrome engraving depicting a historic interior assembly scene at Eton Upper School.
Archival Detail
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

A nineteenth-century steel engraving is a printmaking method where an image is incised into a steel plate using a burin before ink is applied and transferred to paper. Steel plates allowed for finer line detail and higher print runs than soft copper plates, making them ideal for architectural and historical illustrations.

Victorian frames were commonly constructed from solid woods such as oak, mahogany, or walnut, often featuring carved moulding or applied gesso decoration. Glazing was standard to protect delicate paper prints, supported by acid-free paper mounts or rag boards.

Authentic antique prints display clear plate marks around the image border where the metal plate was pressed into the paper under high pressure. Additionally, antique paper often shows subtle age toning, foxing, or watermarking, while original publication details are typically printed along the bottom edge.

Monochrome architectural prints integrate into traditional academic schemes, dark academia interiors, or modern minimalist spaces as contrasting wall art. Hanging them in gallery walls or lining hallways and staircases provides structure and historical depth.

Prints must be kept away from direct sunlight and areas of high humidity to prevent fading and foxing. Frame backing should utilise archival, acid-free materials, and glass should be cleaned using a soft cloth lightly dampened with water rather than direct liquid spray.
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