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Wooded Landscape - Antique Drawing
Rue des Fontenelles
for sale €410     $445
£350

Rue des Fontenelles

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Wooded Landscape - Antique Drawing

19th century
Description

Signed drawing by the well catalogued French artist Louis Clement Faller (French School - 1819 - 1901). The drawing is signed by the artist and mounted is an simple gilt frame and mount and is under glass.

Louis Clement Faller was born in Habsheim , near Mulhouse in 1819. He was a French painter, draftsman and lithographer and was a student of Paul Delaroche then of Eugène Delacroix .

Faller spent some time in the the United States from 1851 to 1860 where he opened a painting studio in New York and wasz a founder of the American Barbizon School. He then moved back in France to the Chevreuse Valley in 1863 . Upon his arrival in New York, Faller exhibited at the National Academy of Design. In 1854, Faller opened a school of painting.

Whilst in New York, Faller and a group of American landscapers founded the American Barbizon School. He became the leader of a Franco-American pictorial movement, which will be the driving force behind the School of American Landscaping until the end of the 19th century . He was also a theoretician of the outdoor school, landscapes full of life, vibrating surrounding and changing lights, until they become impressions.

The death of his father made him leave New York and with his wife and children he re settled in the Chevreuse Valley, France, where he "began an existence of research and experimentation that only death had to interrupt" . At the Salon of French Artists Faller exhibited landscapes of the Valley of Chevreuse and in the 1866 Salon, he exhibited the Corner of the Old Orsay Park, in 1867, a landscape in 1868 and in 1869 The Hill of the Chevreuse Valley. After this date, Faller no longer exhibited but he was ahead of his time and was very close to impressionism.

Faller lived in Paris between 1871 - 1901, where his wife died in 1889 followed by Fallers tragic death in 1901.

In 1905 the Galeries Vollard held an exhibition of some of Fallers' work at 6 rue Laffitte. Girodie commented "While visiting the Exhibition, I acquired the certainty that Louis Clément Faller had marked his personality in nineteenth- century French art. I then wanted to know the man whose colour on some canvases made the dark drama, the struggle without victory, the annihilatio". He also added not only is Faller a painter of the most curious talent, but from various points of view, Alsace must not ignore his biography".

Physical Dimensions
Height
240cm (94.49")
Width
33cm (12.99")
Depth
2cm (0.79")
Declaration

Rue des Fontenelles has dated this Antique Wooded Landscape Drawing to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1014067
Description
Signed drawing by the well catalogued French artist Louis Clement Faller (French School - 1819 - 1901).
The drawing is signed by the artist and mounted is an simple gilt frame and mount and is under glass.
Rue des Fontenelles
fig 1. An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
fig 1. Wooded Landscape - Antique Drawing

Louis Clement Faller was born in Habsheim , near Mulhouse in 1819. He was a French painter, draftsman and lithographer and was a student of Paul Delaroche then of Eugène Delacroix .

Faller spent some time in the the United States from 1851 to 1860 where he opened a painting studio in New York and wasz a founder of the American Barbizon School. He then moved back in France to the Chevreuse Valley in 1863 . Upon his arrival in New York, Faller exhibited at the National Academy of Design. In 1854, Faller opened a school of painting.

fig 2. An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
fig 2. Wooded Landscape - Antique Drawing

Whilst in New York, Faller and a group of American landscapers founded the American Barbizon School. He became the leader of a Franco-American pictorial movement, which will be the driving force behind the School of American Landscaping until the end of the 19th century . He was also a theoretician of the outdoor school, landscapes full of life, vibrating surrounding and changing lights, until they become impressions.

fig 3. An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
fig 3. Wooded Landscape - Antique Drawing

The death of his father made him leave New York and with his wife and children he re settled in the Chevreuse Valley, France, where he "began an existence of research and experimentation that only death had to interrupt" . At the Salon of French Artists Faller exhibited landscapes of the Valley of Chevreuse and in the 1866 Salon, he exhibited the Corner of the Old Orsay Park, in 1867, a landscape in 1868 and in 1869 The Hill of the Chevreuse Valley. After this date, Faller no longer exhibited but he was ahead of his time and was very close to impressionism.

Faller lived in Paris between 1871 - 1901, where his wife died in 1889 followed by Fallers tragic death in 1901.

In 1905 the Galeries Vollard held an exhibition of some of Fallers' work at 6 rue Laffitte. Girodie commented "While visiting the Exhibition, I acquired the certainty that Louis Clément Faller had marked his personality in nineteenth- century French art. I then wanted to know the man whose colour on some canvases made the dark drama, the struggle without victory, the annihilatio". He also added not only is Faller a painter of the most curious talent, but from various points of view, Alsace must not ignore his biography".

Height
240cm (94.49")
Width
33cm (12.99")
Depth
2cm (0.79")
Date of Manufacture

Rue des Fontenelles has dated this Antique Wooded Landscape Drawing to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1014067
Rue des Fontenelles
Sellingantiques verified Since Mar 2015

Specialists in french antiiques, decorative objects and french and european paintings.

Dealer Profile

You can view the stock and full dealer information on the Rue des Fontenelles Profile Page

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An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
1 / 4
Archive I An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.

Wooded Landscape - Antique Drawing

Archive II An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame. View II
Archive III An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame. View III
Archive IV An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame. View IV
Enlarged Archival View
Location
Chagford
Devon
United Kingdom
Verified Since Mar 2015
Items For Sale 154
Items Sold 1,179
Rue des Fontenelles
Verified Since Mar 2015
View Dealer Info
Location: Chagford, Devon, United Kingdom
Verified
Mar 2015
For Sale
154
Sold
1,179
An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
Wooded Landscape - Antique Drawing
Ref: SA1014067
An antique monochrome charcoal drawing depicting a dense wooded landscape set within a beige mount and an ornate gilt frame.
Detail View 3
Detail View 4
Detail View 5
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Nineteenth-century landscape drawings frequently focused on atmospheric natural settings, utilizing monochrome media to explore tone, light, and natural forms inspired by movements such as Romanticism and the Barbizon School.

Artists traditionally executed these works using natural charcoal sticks or graphite pencils on cotton rag paper, often presented within layered card mounts and carved gilded wood frames.

Authentic works from this period typically exhibit subtle foxing or natural discolouration on the paper, fine smudging techniques characteristic of hand-applied charcoal, and period-appropriate framing techniques with wooden backings.

An antique drawing can be styled as part of a curated gallery wall alongside modern photography or placed individually above a console table to create visual contrast in a contemporary space.

Display the artwork away from direct sunlight and high humidity to prevent fading and paper degradation. Framing with UV-protective glass and acid-free mounting materials ensures long-term preservation.
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