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BEAUTIFUL DERBY SMALL VASE - THOMAS STEEL, c1815  

Beautiful Derby vase of turquoise ground, decorated with a superb hand painted reserve of flowers by Thomas Steele. Fine arabesque gilding to the lower part of the vase and twin gilded handles. Dates to c1815. Small repair to rim and faint hairline.

1883 SAMPSON MORDAN WEBB CAMEO SCENT PERFUME BOTTLE  

NEW. A striking cylinder shape scent bottle, with a hinged sterling silver top and collar, as well as a glass stopper. The white over citron ground is cut in cameo with finely executed flower heads and leaf sprigs, the shoulders are enhanced with a triple cameo band, the base with a row of leaf shapes. Condition: very small and barely noticeable bump to the edge of the lid; tiny edge nick to the base; nothing further found - if you have any questions about this item, contact me. Seller operates a 100% purchase price money back returns policy if not completely satisfied. Hallmarked for London 1883, maker's mark on the collar and inside of the lid "SM" for Sampson Mordan. 2¾in/7cm high.

London 1937 very unusual nearly mint condition solid silver trefid end cold meat serving fork and serving spoon by Thomas Bradbury and Sons, and retailed by Gilmer of Bath, in original fitted case.  

London 1937 English hallmarked solid silver very unusual set of trefid ended cold meat fork and serving spoon, made by very good makers Thomas Bradbury and Sons, and retailed by Gilmer of Bath. Extremely thick and heavy gauge of silver, with large clear hallmarks, and retailer stamp to stem sides as well. In nearly mint condition, contained in striking blue gilt embellished original fitted case, lined with silk and black velvet. All pieces appearing to have had little if any use in 71 years! Weight-180 grams. Size-fork 8.25 inches long; spoon 8.5 inches long by 2 inches wide. A lovely, practical and unusual gift, or to use for oneself.

SOLD...Portrait of a Midshipman c.1810; Circle of Sir Thomas Lawrence  

Oil on canvas in original Neo-Classical frame. SIR THOMAS LAWRENCE (1769-1830) was the most remarkable British portrait painter of his day. He became an Associate of the Royal Academy in 1791, Member in 1794 and President in 1820. In 1792 he was made Painter to the King. Lawrence's work epitomised the Regency style. This sensitive yet bravura portrait of a young Royal Naval officer painted during the Napoleonic War is typical of Lawrence's dramatic style; the background a windswept cloudiness, the sable curls on the forehead, the parted lips and brilliant eyes which were to indicate 'the more private sensibilities of the heart'. Lawrence overcame the restrictions of the head and shoulders portrait by infusing it with a dynamic and sensual movement - a sense of drama for dramatic times. This is apparent in every aspect, from the turn of the sitter's neck and the tousled 'Classical Roman' hairstyle - all revealing the debt to, and interest in, Classical sculpture and form which defined the taste of the age. This is a memorable painting of a very young naval officer whose chosen career was one of great danger. There is an urgency to the image and the unspoken drama that the sitter conveys is intensified by the lowering, stormy sky, and the picture communicates a romantic sensibility that can truly be labelled Byronic. PROVENANCE: a private collection.

17th century painted chest attributed to William Searle/Thomas Dennis  

An important 17th century, painted oak chest, attributed to William Searle or Thomas Dennis. With a triple panel front, the two outer panels carved with the lozenge design flanking the centre panel arcaded with rose and leaf. Still retaining much of the original polychromes in red and blue. In very good condition and fantastic colour. This is a true collectors piece. 56" wide 32" high 22" deep

RARE THOMAS ROSE COALPORT COFFEE CUP & SAUCER  

Beautiful and rare Thomas Rose Coalport (Anstice, Horton and Rose) coffee cup and saucer of London shape, decorated in pattern 500, and dating to c1810. Superbly decorated with bands of summer flowers between cobalt blue and gilt bands. Very good condition. SUMMER SALE NOW ON - PLEASE VISIT OUR WEB SITE FOR FURTHER DETAILS.

Sheffield 1918 solid silver pair of oval napkin rings in original domed leather case by Thomas Bradbury and Sons.  

Sheffield 1918 solid English hallmarked silver pair of oval napkin rings by Thomas Bradbury and Sons in original domed leather case with silk lining. Weighing a heavy 70 grams, these are an excellent weight, and are in very good condition. It is very nice to also have the original attractive case. A lovely pair to use or to give as a gift.

Thomas Henry Gregg 1823  

Large oil on canvas of a boy holding a riding whip by British artist Thomas henry Gregg signed and dated 1823 measuring 24" x 36" in a contemporary gold filigree frame in the style of the period. There are some patch repairs that you might expect from a painting of this period, overall a well executed and atmospheric picture.

Thomas Miles Richardson senior (1784-1848) Keswick by Sunset with Cloud Shadow on Skiddaw  

A superb and rare oil on board by the well known artist T.M. Richardson senior 1784-1848 . Title ,Keswick by Sunset Light with Cloud Shadow on Skiddaw . Frame 18"x14" , painting 13"x9" . Good condition within 20th C museum quality glazed frame . Very good documentation of authenticity . Viewing welcome . Delivery available.

SUPERB DERBY SHELL DISH - THOMAS STEEL, c1815  

Beautiful Derby shell shaped dessert dish, with floral sprays, probably by Thomas Steel, c1815. Marked with crown, crossed batons, dots and D in red. Very good condition. SUMMER SALE NOW ON - PLEASE VISIT OUR WEB SITE FOR FURTHER DETAILS.

1899 HILLIARD & THOMASON SILVER SCENT PERFUME BOTTLE  

An elegant silver scent bottle, with a glass liner and stopper. The bottle is engraved with swirling leaf scrollwork, the front has a plain panel for engraving. Condition: minor age and use wear; undamaged; good hinge and very good lid fit - if you have any questions about this item, contact me. Seller operates a 100% purchase price money back returns policy if not completely satisfied. Hallmarked for Birmingham 1899, made by Hilliard and Thomason. A little over 2¼in/5.7cm high, a little under 1in/2.5cm diameter.

SOLD....Portrait of the Calmady Children c.1825; after Sir Thomas Lawrence  

Oil on panel. A portrait of Emily (1818-1906) and Laura Anne Calmady (1820-1894); they were the children of Charles Calmady of Langdon Court in Devonshire. This is a faithful and highly skilled contemporary copy of Lawrence's original of 1824 - possibly painted by his Studio, as the original was a huge success and desired by many. The original, now in the Metropolitan Museum of Art, New York, was shown at the Royal Academy and engraved under the title 'Nature'. It has always been one of Lawrence's most popular works; he described it as "my best picture...one of the few I should wish hereafter to be known by". It is painted with Lawrence's usual brilliance, with bright whites, clear colours and an evocative landscape, and has been celebrated for its happy evocation of childhood exuberance. Whoever was the unknown artist who painted this copy, whether a member of Lawrence's Studio or an independent, he has perfectly captured Lawrence's beautiful image with real talent and fidelity. SIR THOMAS LAWRENCE P.R.A. (1769-1830) was the most remarkable British portrait painter of his day. After attending the R.A. Schools he showed his first portrait in 1768. In 1792 he was made Painter to the King. Greatly talented and very successful he was made an Associate of the Royal Academy in 1791, a Member in 1794 and became President of the R.A. in 1820. His portraits were masterpieces of the new Romantic style...and 'The Calmady Children' is perhaps his finest. SIZE: image - 11 inches diameter. PROVENANCE: East Anglian Private Collection

HARDY, THOMAS (1840 - 1928)  

Eminent novelist and poet. Found wide success with "Far From the Madding Crowd" (1874) and a series of other novels reflecting his love of rural life, among these: "The Mayor of Casterbridge" (1886) and "Tess of the D'Urbervilles" (1891).

image date: 1914

image size: 4¼in/10.8cm high x 3¾in/9.5cm wide.

Full condition report on request.

all images shown on this website are digitally tagged against copyright violation.

Thomas Tudor 1785-1855 'River Landscape ,near Dolgelly'   

An early 19th century Pen and ink drawing on paper by the well known listed artist .Thomas Tudor 1785-1855 , titled 'River landscape , near Dolgelly" dimensions= 5,1/4" x 9" . Thomas Tudor drew and painted landscapes in pencil inks and watercolour on paper.These works are very collectable and over the last decade have made good prices at Christies(London) . Glaze framed and mounted (last done in 1970). Viewing welcome . P&p available.

A 19th Century Mahogany Sofa in the style of Thomas Hope.   

A 19th Century Mahogany Sofa in the style of Thomas Hope. This beautiful sofa stands on turned legs with brass casters, the show wood frame having beautiful carved detailing. The old material having been stripped off totally to a bare frame and traditionally French polished, before being re-upholstered using traditional materials with a lovely Tumeric/Gold Damask material for the top coat with scrolling acanthus detailing, horse hair filled slip cushion and pleated baluster cushions. Width 80" Height 35" £2695 (Ref _ UPH3203)

SOLD....Portrait of Thomas Robinson; 17th c. English School  

Oil on canvas in good quality 18th c. carved and giltwood frame; the sitter painted within a feigned oval. Bears the inscription 'Thomas Robinson of Rookby Park in the County of York Esq' below the Robinson coat of arms. To the bottom left the numeral '4' (probably an old inventory number). Upper left, faintly visible, another Robinson armorial bearing, painted over. Before buying Rokeby from Sir Thomas Rokeby in 1610 the Robinsons lived for generations at the White Hall, Kendal. Rokeby Park (which is actually just across the Yorkshire border in County Durham) was rebuilt in the 18th c. as a Palladian mansion. In the 19th c. Sir Walter Scott wrote his epic ballad 'Rokeby' there. THOMAS ROBINSON was born in 1590, son of William and Mary Robinson (daughter of Thomas Hill of Thornton, Yorks). He had a brother John (who became Vicar of Burminster, Yorks) and a sister Catherine (who married firstly Percival Philips and secondly Richard Smith). Thomas married at Rokeby in 1621, his wife was Francis, daughter of Leonard Smelt of Kirkby Fleetham, Yorks; they had eight children. Thomas was a barrister and in the Civil War he supported Parliament, believing right was on their side. At his own expense he raised the Private Parliamentary Army;in June 1643 he was killed by the Royalists in a skirmish at Leeds. Presumably this was in the build-up to the Battle of Adwalton Moor near Leeds on June 30 when the Earl of Newcastle's army smashed the Parliamentary forces under Sir Thomas Fairfax. SIZE: 36.5 x 31.75 inches inc. frame. PROVENANCE: by descent through the family. VERSO: old label 'John Perfect Esq, Bovevagh, Great Missenden, Bucks'
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